\u00d6zellikle 80\u2019li y\u0131llardan bu yana insani, sosyal, siyasi, k\u00fclt\u00fcrel, ekonomik meseleler d\u00fcnyada k\u00fcresel pl\u00e2nda konu\u015fuluyor. Bu realite sinemay\u0131, beyaz perdeyi de sard\u0131. Yak\u0131n zamanda vizyona giren \u201cJoker\u201d buna \u00f6rnek g\u00f6sterilebilir.<\/p>\n
Modern toplumu alt\u00fcst eden manevi krizleri, 80\u2019lerin Amerikan protesto k\u00fclt\u00fcr\u00fcne g\u00f6ndermelerde bulunarak hat\u0131rlatan Joker, bu realiteyi bir palya\u00e7onun diliyle hecelemeye \u00e7al\u0131\u015f\u0131yor.<\/p>\n
Yaln\u0131z bu Joker, \u00fcnl\u00fc Batman serilerine rakip olarak \u00e7\u0131kan Joker\u2019lerden farkl\u0131 bir Joker… Amerikan sinemas\u0131n\u0131n tipik \u201cs\u00fcper kahraman\u201dlar\u0131ndan olduk\u00e7a farkl\u0131 karakter \u00e7izen y\u00f6netmen Todd Phillips\u2019in Joker\u2019i, \u00e7ok derin olmasa da \u00e7arp\u0131c\u0131 otokritikler yap\u0131yor, toplum ele\u015ftirisi getiriyor, meslek farkl\u0131l\u0131klar\u0131na kadar toplum tabakalar\u0131 aras\u0131nda g\u00f6r\u00fclen \u00e7eli\u015fki ve \u00e7at\u0131\u015fmalar\u0131 y\u00fczeye \u00e7\u0131kar\u0131yor.<\/p>\n
Joker ayn\u0131 zamanda \u201charmanl\u0131\u201d bir film… V For Vendetta\u2019dan Taxi Driver\u2019a, sinema takip\u00e7ilerinin ak\u0131llar\u0131nda kalm\u0131\u015f baz\u0131 filmlerden kareler de \u00e7a\u011fr\u0131\u015ft\u0131r\u0131yor. Filmdeki bu espri, Joker\u2019i izleyen bir\u00e7ok takip\u00e7i taraf\u0131ndan dile getirildi\u011fi i\u00e7in ge\u00e7iyorum fakat \u015fu noktay\u0131 dikkat \u00e7ekmeliyim;<\/p>\n
Joker, s\u0131radan bir insanda kitleleri etkileyebilecek ne t\u00fcr potansiyel olabilir; bunun \u00fczerinde itina ile durmu\u015f…<\/p>\n
Bu \u00e7\u0131k\u0131\u015f\u0131yla Joker 2019\u2019u karizmatik k\u0131lan y\u00f6n\u00fc bu olabilir diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n
Yard\u0131msever, nazik, uygar, ge\u00e7imini palya\u00e7olukla sa\u011flamaya \u00e7al\u0131\u015fan d\u00fcr\u00fcst bir insan, en yak\u0131n\u0131ndan hayran oldu\u011fu ki\u015fiye kadar (ABD\u2019de 80\u2019lerin \u00fcnl\u00fc talk show adam\u0131 Franklin Murray) \u015fahsiyetini yaralayan \u00e7evresiyle hesapla\u015fma ve giderek b\u00fct\u00fcn bir toplum sistemini sorgulama noktas\u0131na geli\u015f s\u00fcreci…<\/p>\n
Finale do\u011fru ise b\u00fct\u00fcn hayat\u0131n\u0131 saran dramatik dokudan b\u00fct\u00fcn k\u00fctleye renk verici bir \u201chalk kahraman\u0131\u201d olarak y\u00fcceltili\u015fi…<\/p>\n
Y\u00fcz\u00fcnde, a\u011fz\u0131 kula\u011f\u0131na varan o zarars\u0131z g\u00fcl\u00fc\u015ften, hayat\u0131n\u0131 saran sisteme kar\u015f\u0131 \u00f6fke \u00e7izgisini de bar\u0131nd\u0131rd\u0131\u011f\u0131 son ana kadar pek kestirilemeyen Arthur Fleck\/Joker (Joaquine Phoenix), s\u00f6z konusu ge\u00e7i\u015fleri b\u00fct\u00fcn dinamikleriyle ustaca perdeye yans\u0131tma ba\u015far\u0131s\u0131n\u0131 g\u00f6stermi\u015f.<\/p>\n
Beklenmedik kitle olaylar\u0131n\u0131 \u201csosyal patlama\u201d \u015feklinde ifade eden bat\u0131l\u0131 sosyologlara ihtarda bulunurcas\u0131na, bir insan\u0131n nas\u0131l d\u00f6n\u00fc\u015f\u00fcm ge\u00e7irdi\u011fini, zengin-fakir z\u0131tla\u015fmas\u0131 veya kutupla\u015fmas\u0131 \u00fczerinden de anlat\u0131yor.<\/p>\n
Bu bak\u0131mdan son y\u0131llarda \u00e7ekilmi\u015f en iyi kurgu, en s\u0131k\u0131 psikoloji ve protest filmlerinin ba\u015f\u0131nda say\u0131lmal\u0131 Joker…<\/p>\n
Joker\u2019in, d\u00fcnyadaki sosyal ve siyasi \u00e7alkant\u0131lar\u0131n k\u0131talardan ta\u015farcas\u0131na ya\u015fand\u0131\u011f\u0131 bir konjonkt\u00fcrde piyasaya s\u00fcr\u00fclmesi ayr\u0131ca dikkat \u00e7ekicidir.<\/p>\n
\u0130ster propaganda ama\u00e7l\u0131 bir proje, ister k\u00fcresel realitelere \u00f6zele\u015ftiri ama\u00e7l\u0131 d\u00fc\u015f\u00fcn\u00fcls\u00fcn; Joker ayn\u0131 zamanda b\u00f6yle bir perspektif ortaya koymaktad\u0131r.<\/p>\n
D\u00fcnyadaki buhran, mikro pl\u00e2nda i\u00e7e d\u00f6n\u00fck, makro pl\u00e2nda d\u0131\u015fa d\u00f6n\u00fck seyrini hissedilir \u015fekilde \u015fiddetlendirmektedir. Modern insan\u0131n zihninde, hayat\u0131n ya\u015fanmaya de\u011fer olup olmad\u0131\u011f\u0131 sorgulanmaya devam ediyor, hi\u00e7bir f\u00fct\u00fcrist ak\u0131m veya karma felsefe bunu cevapland\u0131ramad\u0131\u011f\u0131 gibi sorunun par\u00e7as\u0131 olmay\u0131 s\u00fcrd\u00fcr\u00fcyor. Yeni bir insan ve toplum g\u00f6r\u00fc\u015f\u00fc gerek. Bu ne olabilir, nas\u0131l olabilir, t\u00fcm y\u00f6nleriyle \u0131skalan\u0131yor. \u0130nsan \u015fuuru 21. y\u00fczy\u0131l\u0131n problemlerinin a\u011f\u0131rl\u0131\u011f\u0131 alt\u0131nda bocalamakta, \u015fiddetli cinnet-mutluluk aras\u0131nda ask\u0131ya al\u0131nm\u0131\u015ft\u0131r.<\/p>\n
Yeni Sosyal Hareketler\u2019in teori merkezi ABD\u2019de ilgili uzmanlar didinirken, beyaz perdeye de yans\u0131yan birtak\u0131m sosyal trajedileri b\u00fct\u00fcn iz ve alametleriyle, belli bir duygu ve d\u00fc\u015f\u00fcnce k\u0131vam\u0131 dahilinde Joker\u2019de de g\u00f6rebiliyoruz.<\/p>\n
Amerikan sosyal bilimcileri ba\u015fta olmak \u00fczere hi\u00e7 bir modern rejim bug\u00fcn d\u00fcnyaya istihbarats\u0131z bakm\u0131yor, co\u011frafyalar antropolojik d\u00fczeye inene kadar taran\u0131yor malum..<\/p>\n
Her rejim d\u0131\u015f d\u00fcnyaya bak\u0131p i\u00e7te tedbir alabilir, belli \u00f6l\u00e7\u00fclerde kendini koruma alt\u0131na alabilir, ad\u0131n\u0131 \u201culusal g\u00fcvenlik\u201d koyabilir. Ancak b\u00f6yle bir tan\u0131mlamayla refah, huzur ve rahatl\u0131k garantilenemiyor. Gidi\u015f nereye?<\/p>\n
En \u00e7arp\u0131c\u0131 \u00f6rnekleriyle, ABD\u2019nin hen\u00fcz kurulmadan musallat oldu\u011fu Latin Amerika\u2019y\u0131 kobayla\u015ft\u0131r\u0131rken, ayn\u0131 co\u011frafyada \u201cr\u00fcya \u00fclke\u201d olarak g\u00f6r\u00fcld\u00fc\u011f\u00fcn\u00fc biliyoruz.<\/p>\n
K\u00e2bus olmas\u0131n sonu? Amerikan sosyal dinamikleri gezgin ku\u015fa\u011f\u0131ndan her \u015feye abone ku\u015fa\u011f\u0131na al\u0131\u015ft\u0131. Histerik, \u201cac\u0131mas\u0131z kent\u201d ger\u00e7ekleriyle uzay fantezileri aras\u0131nda savruluyor insanlar…<\/p>\n
Neden?<\/p>\n
Abone\/mesaj otomati\u011fi k\u00fcresel sistem i\u00e7i bu \u201cse\u00e7kin\u201d kitle daha geni\u015f kitlelere sunulurken, k\u00fclt\u00fcrel s\u00f6m\u00fcr\u00fcde pasif kalan \u201cuyum\u201d yakalamaya \u00e7al\u0131\u015fs\u0131n, karamsar kalabal\u0131klar da dayat\u0131lan \u015fartlara \u00e7are kabilinden tutunsun diye mi?<\/p>\n
B\u00f6ylece \u201cvur ensesine al ekme\u011fini\u201d k\u00f6le kitlesi mi kafeslenecek?<\/p>\n
O kadar basit mi?<\/p>\n
Devasa sosyal deneyler d\u00f6n\u00fcyor, bu kesin.<\/p>\n
Peki her \u015feyin yolunda oldu\u011fundan kimler emin?<\/p>\n
Uluslararas\u0131 \u015firketlerin k\u00fclt\u00fcr \u015foku operasyonlar\u0131na, sosyal d\u00f6n\u00fc\u015f\u00fcm \u015febekelerine ba\u011f\u0131ml\u0131, al\u0131c\u0131, t\u00fcketici kitleler bir yandan anl\u0131k komutlarla sosyal medyan\u0131n hayat ile hayali ay\u0131ramazken, bir yandan ki\u015fi ba\u015f\u0131 \u201ckendini g\u00f6ster!\u201d g\u00fcd\u00fcs\u00fc azd\u0131r\u0131l\u0131yor.<\/p>\n
\u00d6te yandan modern insan\u0131n kendine\/nefsine soraca\u011f\u0131 ka\u00e7\u0131n\u0131lmaz soru bomba gibi duruyor:<\/p>\n
\u201cBen Kimim?\u201d<\/p>\n
Y\u0131llar\u0131n \u201cki\u015fisel geli\u015fim\u201d uzmanlar\u0131n\u0131n \u201ckendini ke\u015ffet\u201d k\u0131\u015fk\u0131rtmas\u0131yla taht\u0131ndan indiremedi\u011fi bu soru yine \u0131skalan\u0131rken, ruh-nefs z\u0131tl\u0131\u011f\u0131 aras\u0131nda ruhun kurtulu\u015fu me\u00e7hul..<\/p>\n
Hayvani hazlar depre\u015ftirilerek \u201can\u0131 ya\u015fa\u201d e\u011flencesi\/t\u00fcketimiyle nereye?<\/p>\n
Ruh bu kadar\u0131n\u0131 kald\u0131ramaz; bir g\u00fcn intikam\u0131n\u0131 al\u0131r, insan\u0131n varolu\u015f tarz\u0131n\u0131 burnundan yakalar ve \u201c\u00f6l\u00fcm nedir\u201d dahil her \u015feyi sordurur.<\/p>\n
Ruhun ebedilik itibar\u0131 er-ge\u00e7 \u015fuurlara \u00e7at\u0131verir, hayat hakk\u0131n\u0131 \u015fartlar ne olursa olsun sormaya iter… \u00d6rnek: Sistem i\u00e7inde patlarken \u201cBen var\u0131m!\u201d diyen JOKER..<\/p>\n
<\/p>\n
Final B\u00f6l\u00fcm\u00fcnden Replikler<\/strong><\/p>\n Bir g\u00fcn b\u00fcy\u00fck hayran\u0131 oldu\u011fu Murray Franklin\u2019in talk \u015fovuna \u00e7\u0131kt\u0131\u011f\u0131nda sarf etti\u011fi \u015fu s\u00f6zleri filmin can al\u0131c\u0131 replikleri olarak al\u0131yorum;<\/p>\n -Eskiden hayat\u0131m\u0131n bir trajedi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, ama \u015fimdi fark ediyorum ki asl\u0131nda bir komedi.<\/p>\n -Zihinsel hastal\u0131\u011f\u0131n en k\u00f6t\u00fc yan\u0131, insanlar\u0131n sanki b\u00f6yle bir \u015fey yokmu\u015f gibi davranman\u0131z\u0131 beklemesidir.<\/p>\n -Umar\u0131m \u00f6l\u00fcm\u00fcm ya\u015fam\u0131mdan daha mant\u0131kl\u0131 olur.<\/p>\n -Kaybedecek bir \u015feyim kalmad\u0131. Art\u0131k hi\u00e7bir \u015fey beni incitmez. Hayat\u0131m komediden ba\u015fka bir \u015fey de\u011fil. Komedi s\u00fcbjektiftir Murray… Hepinizin sistemi \u00e7ok \u015fey biliyor. Neyin do\u011fru neyin yanl\u0131\u015f oldu\u011funa karar veriyor. Ayn\u0131 \u015fekilde neyin komik neyin komik olmad\u0131\u011f\u0131na karar veriyor. Bug\u00fcnlerde durum berbat. Bu durum birini delirtmek i\u00e7in yeterli. Yolda d\u00fc\u015f\u00fcp \u00f6lsem \u00fcst\u00fcme bas\u0131p ge\u00e7ersiniz. Herkes birbirine ba\u011f\u0131r\u0131yor, art\u0131k kimse medeni de\u011fil. Kimse kendini bir ba\u015fkas\u0131n\u0131n yerine koymak istemiyor. Uslu bir \u00e7ocuk gibi buna katlanaca\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcyorlar.<\/p>\n <\/p>\n K\u00fcnye<\/strong>:<\/p>\n Todd Phillips\u2019in y\u00f6netti\u011fi, ba\u015frollerini Joaquin Phoenix, Robert De Niro, Frances Conroy, Brett Cullen ve Zazie Beetz\u2019\u0131n payla\u015ft\u0131\u011f\u0131 Amerikan psikolojik gerilim filmidir. 76. Venedik Uluslararas\u0131 Film Festivali\u2019nde Alt\u0131n Aslan \u00f6d\u00fcl\u00fcn\u00fc kazanm\u0131\u015ft\u0131r.<\/p>\n Filmin m\u00fczik alb\u00fcm\u00fc de benzer ilgi g\u00f6rd\u00fc. Son olarak \u201cSoundtrack Stars Award 2019\u201d \u00f6d\u00fcl\u00fcn\u00fc kazanan alb\u00fcm\u00fcn bu derece tutulmas\u0131nda, Amerikan pop\u00fcler m\u00fczi\u011finin en me\u015fhur par\u00e7alar\u0131yla orijinal besteleri bir araya getirmesinin pay\u0131 var. Filmin melodrama \u00e7alan m\u00fczikal yan\u0131n\u0131 \u00fcstlenen \u0130zlandal\u0131 \u00e7ellist Hildur Gudnadottir\u2019e ait filmin hik\u00e2yesini saran, Joker\u2019in ruh haline g\u00f6re s\u00fcrekli de\u011fi\u015fkenlik arz eden se\u00e7imindeki ba\u015far\u0131s\u0131, keman\u0131 ba\u015frole ta\u015f\u0131mas\u0131 \u00e7arp\u0131c\u0131. \u00c7e\u015fitli \u00f6d\u00fcllerle desteklenen bu \u00e7aba sonucu klasiklerden That’s Life (Frank Sinatra), Send In The Clowns (Frank Sinatra), perdede Chaplin’in Modern Zamanlar\u0131 akarken dinlenen Smile (Jimmy Durante), Fred Astaire\u2019den Slap That Bass, Joker\u2019in dans ederek merdivenlerden indi\u011fi sahnedeki Rock and Roll Part 2 (Gary Glitter) ve de bunlara ilave yeni bestelerle Joker\u2019in soundtrack \u00e7al\u0131\u015fmas\u0131 sezonun en iyilerinden g\u00f6steriliyor.<\/p>\n <\/p>\n \u00d6zet:<\/strong> Joker, ba\u015far\u0131s\u0131z bir komedyen olan Arthur Fleck\u2019in hayat\u0131na odaklan\u0131yor. Toplum taraf\u0131ndan d\u0131\u015flanan bir adam olan Arthur, hayatta yapayaln\u0131zd\u0131r. S\u00fcrekli bir ba\u011f kurma aray\u0131\u015f\u0131nda olan Arthur, ya\u015fam\u0131n\u0131 takt\u0131\u011f\u0131 iki maske ile ge\u00e7irir. G\u00fcnd\u00fczleri, ge\u00e7imini sa\u011flamak i\u00e7in palya\u00e7o maskesini y\u00fcz\u00fcne takan Arthur, geceleri ise asla \u00fczerinden silip atamayaca\u011f\u0131 bir maske takar. Babas\u0131z b\u00fcy\u00fcyen Arthur\u2019u en yak\u0131n arkada\u015f\u0131 olan annesi Happy ad\u0131yla \u00e7a\u011f\u0131r\u0131r. Bu lakap, Arthur\u2019un i\u00e7indeki ac\u0131y\u0131 gizlemesine yard\u0131mc\u0131 olur. Ancak maruz kald\u0131\u011f\u0131 zorbal\u0131klar, onun gitgide toluma ayk\u0131r\u0131 bir adam haline gelmesine neden olur. Yava\u015f yava\u015f psikolojik olarak tekinsiz sulara yelken a\u00e7an Arthur, bir s\u00fcre sonra kendisini Gotham \u015eehri\u2019nde su\u00e7 ve kaosun i\u00e7inde bulur. Arthur, zamanla kendi kimli\u011finden uzakla\u015f\u0131p Joker karakterine b\u00fcr\u00fcn\u00fcr. (beyazperde.com\u2019dan)<\/p>\n Ayl\u0131k Dergisi 183. Say\u0131, Aral\u0131k 2019<\/p>\n","protected":false},"excerpt":{"rendered":" \u00d6zellikle 80\u2019li y\u0131llardan bu yana insani, sosyal, siyasi, k\u00fclt\u00fcrel, ekonomik meseleler d\u00fcnyada k\u00fcresel pl\u00e2nda konu\u015fuluyor. Bu realite sinemay\u0131, beyaz perdeyi de sard\u0131. Yak\u0131n zamanda vizyona giren \u201cJoker\u201d buna \u00f6rnek g\u00f6sterilebilir.…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[14,58],"class_list":["post-816","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-admin","author-cumali-dalkilic","no-post-thumbnail"],"yoast_head":"\n