Bat\u0131 d\u00fcnyas\u0131nda \u00f6zellikle II. D\u00fcnya Sava\u015f\u0131’n\u0131n sona eri\u015fiyle birlikte inan\u0131lmaz bir \u201cinsanl\u0131k\u201d edebiyat\u0131 \u00fcretildi\u011fi biliniyor. S\u00f6z konusu s\u00fcre\u00e7ten sinema da pay\u0131n\u0131 alm\u0131\u015f, uluslararas\u0131 politika ve toplum ili\u015fkilerinin tan\u0131mlanmas\u0131nda ve \u015fekillenmesinde Holywood sinema sekt\u00f6r\u00fcne \u00e7ok \u00f6nemli bir mevki kazand\u0131r\u0131lm\u0131\u015ft\u0131r; propaganda…<\/p>\n
So\u011fuk Sava\u015f’la birlikte zirve yapan Hollywood politik ku\u015fa\u011f\u0131 filmlerde, d\u00fcnya siyasetinde insan ve toplum meselelerinin tart\u0131\u015f\u0131lmas\u0131 noktas\u0131nda birtak\u0131m kavramlar da ileri s\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n
Bu kavramlardan biri, sava\u015f sonu Bat\u0131 toplumunun bunal\u0131m\u0131nda \u00f6ne \u00e7\u0131kan \u201cg\u00fcvenlik\u201d kavram\u0131d\u0131r.<\/p>\n
Bununla birlikte NATO savunma konsepti ile belirlenen g\u00fcvenlik anlay\u0131\u015f\u0131nda ABD Ulusal G\u00fcvenlik Ajans\u0131 (NSA), CIA ve Pentagon, Avrupa k\u0131tas\u0131ndaki s\u00f6zde korumac\u0131 politikalar\u0131na ra\u011fmen k\u0131ta h\u00fck\u00fcmetlerine ve toplumlar\u0131na kar\u015f\u0131 \u00f6zel birtak\u0131m tehdit unsurlar\u0131n\u0131 da kullanmaktan \u00e7ekinmemi\u015ftir.<\/p>\n
Bu unsurlar\u0131n ba\u015f\u0131nda, zaman zaman Avrupa’y\u0131 sarsan ter\u00f6r \u00f6rg\u00fctleri gelmektedir.<\/p>\n
Konjonkt\u00fcre g\u00f6re de\u011fi\u015fen bu silahl\u0131 unsurlar, uyand\u0131rd\u0131\u011f\u0131 tedhi\u015fle Bat\u0131l\u0131 h\u00fck\u00fcmetleri diledi\u011fi zaman toplumlar\u0131na acziyet i\u00e7inde te\u015fhir edebilecek organlara sahipken, k\u0131ta halk\u0131n\u0131n NATO-Gladyo unsurlar\u0131 kar\u015f\u0131s\u0131nda istikrarl\u0131 olmas\u0131 gerekti\u011fine inanan Avrupa merkezci kutupla\u015fmalar, giderek kendisine daha belirgin kimlik kazand\u0131rma \u00e7abas\u0131nda oldu\u011fu g\u00f6zlemlenmektedir.<\/p>\n
Bu noktada 2000\u2019in ilk y\u0131llar\u0131ndan itibaren g\u00fcncellemek durumunda kald\u0131klar\u0131 Avrupa G\u00fcvenlik ve \u0130\u015fbirli\u011fi anlay\u0131\u015f\u0131, Almanya merkezli stat\u00fc kurma \u00e7abas\u0131ndayken, s\u00f6z konusu yap\u0131lanmalar b\u00fct\u00fcn \u00e7eli\u015fki ve \u00e7\u0131kmazlar\u0131yla birlikte g\u00fcn\u00fcm\u00fcz sinemas\u0131nda da alternatif fakat tart\u0131\u015fmal\u0131 g\u00fcvenlik hassasiyetini sergilemeye devam etmektedir.<\/p>\n
\u201c\u0130nsan Av\u0131\u201d<\/strong><\/p>\n 2014 Slovakya yap\u0131m\u0131 Anton Corbijn’in y\u00f6netti\u011fi ve Andrew Bovell’in yazd\u0131\u011f\u0131 \u201c\u0130nsan Av\u0131\u201d, John le Carr\u00e9\u2019nin ayn\u0131 adl\u0131 casus roman\u0131na dayan\u0131yor.<\/p>\n Ba\u015frollerinde bu filmden bir s\u00fcre sonra intihar ederek hayat\u0131na son veren Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, Robin Wright, Grigoriy Dobrygin, Daniel Br\u00fchl ve Nina Hoss yer al\u0131yor.<\/p>\n Orijinal ad\u0131 \u201cA Most Wanted Man\u201d olan ve T\u00fcrkiye\u2019de \u0130nsan Av\u0131 ad\u0131yla g\u00f6sterilen filmin hikayesi \u015f\u00f6yle;<\/p>\n Annesi M\u00fcsl\u00fcman babas\u0131 Rus \u00c7e\u00e7en k\u00f6kenli olan esrarengiz bir adam, yasad\u0131\u015f\u0131 yollardan Hamburg’a giri\u015f yapar ve kendisini \u015fehrin M\u00fcsl\u00fcman mahallelerinden birinde s\u0131\u011f\u0131nmac\u0131 olarak bulur. T\u00fcrk bir aile taraf\u0131ndan misafir edilir ve bu s\u00fcre\u00e7te ge\u00e7mi\u015finden biraz da olsun kurtulmaya \u00e7al\u0131\u015f\u0131r. Ancak Amerikan ve Alman istihbarat \u00f6rg\u00fctleri taraf\u0131ndan mimlenmi\u015f ve aralar\u0131ndaki rekabetin kurban\u0131 olarak se\u00e7ilmi\u015ftir.<\/p>\n Ayn\u0131 zamanda Alman gizli servisinin lideri de olan ba\u015frol oyunucusu Hoffman, olan biteni gizlice izlemeye ve par\u00e7alar\u0131 birle\u015ftirmeye \u00e7al\u0131\u015fmaktad\u0131r. Filmin y\u00f6netmeni Crobijn, benzer muhteval\u0131 Control ve The American filmleri ile de tan\u0131n\u0131yor.<\/p>\n Giri\u015fte bahsetti\u011fimiz gibi, filmin hik\u00e2yesinde temel arg\u00fcman\u0131n \u201cg\u00fcvenlik\u201d oldu\u011fu s\u00f6ylenebilir.<\/p>\n Sinema ele\u015ftirmeni Ali Ulvi Uyan\u0131k’\u0131n nakletti\u011fi rivayete g\u00f6re \u201c\u0130nsan Av\u0131\u201dn\u0131n hik\u00e2yesi, yazar John le Carr\u00e9\u2019nin bir s\u00fcre konsolos olarak g\u00f6rev yapt\u0131\u011f\u0131 Almanya’n\u0131n liman kenti Hamburg’da bulunan, Pakistan’da El Kaide ve Taliban ba\u011flant\u0131l\u0131 oldu\u011fu gerek\u00e7esiyle g\u00f6zalt\u0131na al\u0131nan Murat Kurnaz’\u0131 d\u00fc\u015f\u00fcnerek yaz\u0131lm\u0131\u015f.<\/p>\n Hoffman\u2019\u0131n son ve en iyi performans\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcm\u00fcz filmde \u00f6ne \u00e7\u0131kan insan ve toplum g\u00fcvenli\u011fi meselesinin ise, Bat\u0131l\u0131 kavram ve d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n olanca dayatma ve propagandalar\u0131na ra\u011fmen uzun s\u00fcre tart\u0131\u015f\u0131laca\u011f\u0131 muhakkak..<\/p>\n <\/p>\n Ayl\u0131k Dergisi 182. Say\u0131, Kas\u0131m 2019<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Bat\u0131 d\u00fcnyas\u0131nda \u00f6zellikle II. D\u00fcnya Sava\u015f\u0131’n\u0131n sona eri\u015fiyle birlikte inan\u0131lmaz bir \u201cinsanl\u0131k\u201d edebiyat\u0131 \u00fcretildi\u011fi biliniyor. S\u00f6z konusu s\u00fcre\u00e7ten sinema da pay\u0131n\u0131 alm\u0131\u015f, uluslararas\u0131 politika ve toplum ili\u015fkilerinin tan\u0131mlanmas\u0131nda ve \u015fekillenmesinde…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[14,58],"class_list":["post-807","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-admin","author-cumali-dalkilic","no-post-thumbnail"],"yoast_head":"\n