\u0130ncil\u2019de ge\u00e7en bir hik\u00e2yeye g\u00f6re, \u0130sa peygamber ve havarileri Kefernahum\u2019e gider. \u015eehrin kontrol kap\u0131s\u0131na gelince, Kefernahum\u2019un se\u00e7ilmi\u015f bir belde oldu\u011funu ve oradaki ibadethaneleri ziyarette \u015fehre her giri\u015f \u00f6ncesi para al\u0131nd\u0131\u011f\u0131n\u0131 \u00f6\u011frenirler.<\/p>\n
Kap\u0131dakiler, \u0130sa ve havarilerinden de bu paray\u0131 ister. Petrus olanlar\u0131 \u0130sa\u2019ya anlat\u0131r. \u0130sa \u015f\u00f6yle der; \u201cSen ne d\u00fc\u015f\u00fcn\u00fcyorsun Simon (Petrus) krallar vergiyi kimlerden al\u0131r? Topraklar\u0131ndan m\u0131, yabanc\u0131lardan m\u0131?\u201d<\/p>\n
Petrus, \u2018Yabanc\u0131lardan\u2019 der. Bunun \u00fczerine \u0130sa \u015f\u00f6yle der; \u201cDemek yabanc\u0131 olmayanlar vergiden muaf… Ta\u015fk\u0131nl\u0131k yapmayal\u0131m. Denize git ve oltan\u0131 suya at, yakalad\u0131\u011f\u0131n ilk bal\u0131\u011f\u0131n a\u011fz\u0131n\u0131 a\u00e7, a\u011fz\u0131nda para bulacaks\u0131n. O paray\u0131 al ve hem benim hem kendin i\u00e7in \u00f6de!\u201d<\/p>\n
\u0130sa ve havarileri hayatlar\u0131n\u0131 paras\u0131z-pulsuz s\u00fcrd\u00fcrmektedir. Petrus, o paray\u0131 Romal\u0131 memura verir.<\/p>\n
Akabinde, \u0130sa peygamberin yan\u0131na birtak\u0131m karanl\u0131k tipler gelir. \u015eu tuzak soruyu sorarlar: \u2018Biz senin do\u011frulu\u011fu insanlar\u0131n i\u015fine geldi\u011fi gibi de\u011fil, Tanr\u0131\u2019n\u0131n buyurdu\u011fu \u015fekilde \u00f6\u011fretti\u011fini biliyoruz. \u00d6yleyse Sezar\u2019a vergi \u00f6dememiz caiz midir?\u201d<\/p>\n
\u0130sa peygamber gelenlerin niyetinin fark\u0131ndad\u0131r. Bir Roma paras\u0131 ister. Paran\u0131n \u00fczerindeki resim ve yaz\u0131n\u0131n kim oldu\u011funu sorar. Onlar \u2018Sezar\u2019 deyince \u0130sa\u2019da o me\u015fhur s\u00f6z\u00fcn\u00fc s\u00f6yler; \u2018\u00d6yleyse Sezar\u2019\u0131n hakk\u0131 Sezar\u2019a, Tanr\u0131\u2019n\u0131n hakk\u0131 ise Tanr\u0131\u2019ya…\u201d<\/em><\/p>\n Bir ba\u015fka ifadeyle, \u0130sa peygamber paray\u0131 ayaklar\u0131 alt\u0131na alm\u0131\u015f, bu mesaj\u0131yla \u201cmutlak galip\u201d oldu\u011funu g\u00f6stermi\u015ftir.<\/p>\n Bu hik\u00e2yeyi ilk d\u00f6nem R\u00f6nesans ressamlar\u0131ndan Masaccio sahne sahne \u00e7izmi\u015ftir. Orta\u00e7a\u011f sanat\u0131ndan R\u00f6nesans\u2019a ge\u00e7i\u015f s\u00fcrecinde, 1400\u2019\u00fcn ilk \u00e7eyre\u011finde yap\u0131ld\u0131\u011f\u0131 bilinen \u201cM\u00fckafat Paras\u0131-Vergi Paras\u0131\u201d adl\u0131 resimler, Santa Maria del Carmine Kilisesi\u2019nde, Brancanci \u015eapeli\u2019nin Apsis b\u00f6l\u00fcm\u00fcn\u00fc s\u00fcsler.<\/p>\n <\/p>\n Ortado\u011fu\u2019dan Bir Mazlum \u00c7ocu\u011fun Hik\u00e2yesi…<\/strong><\/p>\n Kefernahum, Romal\u0131lar\u0131n zulm\u00fcne maruz kalan \u0130sa peygamber i\u00e7in lanetlenmi\u015f; Filistin\u2019de, Taberiye denizinin k\u0131y\u0131s\u0131nda bir k\u00f6y\u00fcn ad\u0131…<\/p>\n Frans\u0131zca \u201ckaos\u201d anlam\u0131na geliyor.<\/p>\n D\u00fcnya tarihine t\u00fcrl\u00fc t\u00fcrl\u00fc hik\u00e2yeler b\u0131rakan Ortado\u011fu topraklar\u0131n\u0131 asl\u0131nda \u201cmerkez do\u011fu\u201d olarak nitelendirmek gerek…<\/p>\n Hem do\u011funun, hem bat\u0131n\u0131n insan ve topluma dair b\u00fct\u00fcn k\u0131ymet \u00f6l\u00e7\u00fcleri burada kay\u0131tl\u0131…<\/p>\n Ve peygamberler bu \u00f6l\u00e7\u00fclerin mutlak bildiricileri… \u0130yi, do\u011fru ve g\u00fczelin bildiricisi peygamberler olmasayd\u0131; \u201c\u00dcstad Necip Faz\u0131l\u2019\u0131n ifadesiyle, \u201cinsano\u011flu a\u011fz\u0131n\u0131 bile bulamazd\u0131…\u201d<\/p>\n Bu yaz\u0131ya bahis mevzuu olan L\u00fcbnanl\u0131 y\u00f6netmen Nadina Labaki\u2019nin yaz\u0131p y\u00f6netti\u011fi Kefernahum (Capharna\u00fcm) filmi ise, bir zulm\u00fcn hik\u00e2yesini, 12 ya\u015f\u0131nda bir \u00e7ocu\u011fun ya\u015fad\u0131klar\u0131n\u0131 anlat\u0131yor.<\/p>\n Dram, 2018 Oscar \u00d6d\u00fcl T\u00f6reni\u2019nde Yabanc\u0131 Dilde En \u0130yi Film dal\u0131nda aday g\u00f6sterilmi\u015fti.<\/p>\n Bu filmi ge\u00e7ti\u011fimiz hafta sonu, ba\u015far\u0131l\u0131 ve nitelikli sinema eserleri yay\u0131nlayan TRT\u2019nin k\u00fclt\u00fcr-sanat kanal\u0131 TRT-2\u2019de seyretme f\u0131rsat\u0131 bulmu\u015ftum.<\/p>\n L\u00fcbnan yap\u0131m\u0131 film, \u201cKefernahum\u201d ailesini dava eden Zeyn adl\u0131 \u00e7ocu\u011fun dram\u0131n\u0131 hukuk\u00ee ve vicdan\u00ee y\u00f6nden ele al\u0131yor. Y\u00f6netmen Labaki, hik\u00e2yenin ger\u00e7ekli\u011fini bir r\u00f6portajda \u015fu \u015fekilde dile getirmi\u015f;<\/p>\n \u201c7 May\u0131s 2008\u2019de hamile oldu\u011fumu \u00f6\u011frendim ve ayn\u0131 g\u00fcn Beyrut yeniden sava\u015f atmosferine girmi\u015fti. Yollar kesilmi\u015f, hava alanlar\u0131 kapat\u0131lm\u0131\u015f, her yerde yang\u0131nlar ve benzer \u015feyler ya\u015fan\u0131yordu. o d\u00f6nem, arkada\u015f\u0131m ve ortak senaristim Jihad Hojeily ile \u00e7al\u0131\u015f\u0131yor ve bir sonraki film projemi tasarl\u0131yorduk. \u015eehirde bir sokaktan di\u011ferine \u00e7at\u0131\u015fmalar ya\u015fan\u0131yordu. Y\u0131llarca ayn\u0131 apartman\u0131 payla\u015fan, beraber b\u00fcy\u00fcyen, ayn\u0131 okula giden insanlar bir anda birbirlerine d\u00fc\u015fman kesilmi\u015flerdi. Ve tek neden, ayn\u0131 dine mensup olmamalar\u0131yd\u0131. Ben de o s\u0131rada kendime \u015funu sordum, benim bir o\u011flum olsayd\u0131, elinde silahla sokaklarda ko\u015fmas\u0131n\u0131 nas\u0131l engelleyecektim? \u00c7ocu\u011fumu bu karga\u015fadan uzak tutup onun ailesini, dinini, ya\u015fad\u0131\u011f\u0131 evi koruma g\u00fcd\u00fcs\u00fcn\u00fc nas\u0131l engelleyecektim?\u201d<\/em><\/p>\n T\u00fcrkiye\u2019nin de neredeyse on y\u0131ld\u0131r a\u015fina oldu\u011fu son g\u00f6\u00e7 hadisesi olan Suriyeli s\u0131\u011f\u0131nmac\u0131lar\u0131n ya\u015fad\u0131klar\u0131ndan hareketle tavsiye edebilece\u011fim Kefernahum, Suriye\u2019den L\u00fcbnan\u2019a g\u00f6\u00e7 eden bir ailenin, \u00f6zellikle de ailenin Zeyn\u2019in \u00e7ekti\u011fi ac\u0131 ve zorluklar\u0131 anlat\u0131yor.<\/p>\n L\u00fcbnan mal\u00fbm, farkl\u0131 inan\u0131\u015f ve mezheplerden m\u00fcte\u015fekkil toplum hayat\u0131n\u0131n g\u00f6r\u00fcld\u00fc\u011f\u00fc, I. D\u00fcnya Sava\u015f\u0131 sonlar\u0131nda manda rejiminin h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc Levanten bir \u015fehir dokusuna sahip… Berbat bir yap\u0131la\u015fma s\u00f6z konusu… \u00c7\u00f6p \u00f6bekleriyle i\u00e7i\u00e7e barakalarda, barakalardan farks\u0131z banliy\u00f6lerin apartman odac\u0131klar\u0131na s\u0131k\u0131\u015fm\u0131\u015f, ebeveynleriyle ayn\u0131 \u015filteyi payla\u015farak ya\u015fayan, daha do\u011frusu ya\u015famaya \u00e7al\u0131\u015fan insanlar… Mazlumlar…<\/p>\n Kefernahum bu zul\u00fcm tablosunu fevkalade \u00e7arp\u0131c\u0131 yans\u0131t\u0131yor.<\/p>\n Hik\u00e2ye, avukat\u0131n\u0131n yan\u0131na oturmu\u015f, kendisine neden mahkemeye geldi\u011fini soran hakime Zeyn\u2019in \u015fu \u00e7ocuksu ifadeleriyle ba\u015fl\u0131yor ve en ba\u015ftan anlat\u0131lmaya ba\u015flan\u0131yor.<\/p>\n \u201c-Ailemi dava etmek istiyorum.<\/em><\/p>\n -Neden?<\/em><\/p>\n -Beni d\u00fcnyaya getirdikleri i\u00e7in…\u201d<\/em><\/p>\n Y\u00f6netmenin replikler aras\u0131na serpi\u015ftirdi\u011fi birtak\u0131m \u201cnihilist\u201d mesajlar\u0131 fazla dikkate almamak kayd\u0131yla, Ortado\u011fu\u2019da II. D\u00fcnya Sava\u015f\u0131 sonunda patlak veren \u0130srail sorununu da merkeze al\u0131c\u0131 politik bir okuma yapt\u0131\u011f\u0131m\u0131zda, nas\u0131l bir co\u011frafyada ya\u015fad\u0131\u011f\u0131m\u0131z daha etkili ifadeye kavu\u015fuyor.<\/p>\n Alt\u0131n Portakal\u2019da En \u0130yi Erkek Oyuncu \u00f6d\u00fcl\u00fcne lay\u0131k bulunan \u00e7ocuk oyuncu Zain, (Zeyn) film boyunca ger\u00e7ek hayat\u0131n\u0131 oynuyor sanki… Ba\u015fta nakletmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m milad\u00ee ilk y\u0131llarda vuku buldu\u011fu ileri s\u00fcr\u00fclen \u0130sa peygambere dair \u0130ncil hik\u00e2yesini ise, bu topraklar\u0131n zul\u00fcm hik\u00e2yelerini peki\u015ftirmek i\u00e7in kaydettim.<\/p>\n Filmi not edin derim…<\/p>\n Ayl\u0131k Dergisi 180. Say\u0131, Eyl\u00fcl 2019<\/p>\n","protected":false},"excerpt":{"rendered":" \u0130ncil\u2019de ge\u00e7en bir hik\u00e2yeye g\u00f6re, \u0130sa peygamber ve havarileri Kefernahum\u2019e gider. \u015eehrin kontrol kap\u0131s\u0131na gelince, Kefernahum\u2019un se\u00e7ilmi\u015f bir belde oldu\u011funu ve oradaki ibadethaneleri ziyarette \u015fehre her giri\u015f \u00f6ncesi para al\u0131nd\u0131\u011f\u0131n\u0131…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[14,58],"class_list":["post-719","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-admin","author-cumali-dalkilic","no-post-thumbnail"],"yoast_head":"\n