{"id":459,"date":"2013-05-08T12:46:12","date_gmt":"2013-05-08T12:46:12","guid":{"rendered":"https:\/\/www.aylikdergisi.com\/?p=459"},"modified":"2023-11-08T12:46:29","modified_gmt":"2023-11-08T12:46:29","slug":"bati-dunyasi-ve-temel-dayanaklari-uzerine-iii","status":"publish","type":"post","link":"https:\/\/www.aylikdergisi.com\/index.php\/2013\/05\/08\/bati-dunyasi-ve-temel-dayanaklari-uzerine-iii\/","title":{"rendered":"Bat\u0131 D\u00fcnyas\u0131 ve Temel Dayanaklar\u0131 \u00dczerine -III-"},"content":{"rendered":"

-Son Yemek-<\/p>\n

 <\/p>\n

Panteon\u2019da, evlerde ve Roma\u2019n\u0131n dehlizlerinde herkes ayn\u0131 mevzuyu konu\u015fuyordu. K\u00e2h \u015fehir meydanlar\u0131nda, k\u00e2h ma\u011faralarda g\u00f6r\u00fcnen bir adam\u0131n s\u00f6yledikleriydi herkesin ortak mevzusu:<\/p>\n

\u201cSa\u011f yana\u011f\u0131na tokat at\u0131lsa, di\u011fer yana\u011f\u0131n\u0131 \u00e7evireceksin.\u201d<\/p>\n

Arenalarda k\u00f6lelerin sadist\u00e7e katledildi\u011fi bir devir\u2026<\/p>\n

Roma’da en z\u00e2lim \u015fiddeti bir s\u00f6z ve davran\u0131\u015fla bo\u015fa \u00e7\u0131karan, vicdanlara hitap eden bir buyruk\u2026 Roma \u015fa\u015fk\u0131n!<\/p>\n

\u201cKom\u015funu kendin gibi seveceksin\u201d<\/p>\n

B\u00fct\u00fcn Roma\u2019n\u0131n sosyal stat\u00fcs\u00fcne kar\u015f\u0131 a\u00e7\u0131lm\u0131\u015f bir sava\u015f. Nefsini, ba\u015fkalar\u0131n\u0131n nefsi ile bir tutma tavsiyesi ve kendine yap\u0131lan\u0131 merhametle kar\u015f\u0131lama emri. \u00d6yle bir tav\u0131r ki, ta\u015fa g\u00f6sterilse yumu\u015fayacak, dize gelecek; ama, Roma\u2019n\u0131n ileri gelenlerinin rahats\u0131zl\u0131\u011f\u0131na sebep\u2026<\/p>\n

Hz. \u0130sa, Romal\u0131lar taraf\u0131ndan \u00f6l\u00fcm ferman\u0131 ile aran\u0131yor. Yeni dinin (\u0130sevili\u011fin) mensuplar\u0131, arenalarda arslanlara at\u0131l\u0131yor, ta\u015flan\u0131yor, d\u0131\u015flan\u0131yor.<\/p>\n

Bir not olarak ekleyelim ki, bug\u00fcn, (Spartak\u00fcs) dizisi ile mevcutta olan ve potansiyel k\u00f6le adaylar\u0131na s\u00fcsl\u00fc efektlerle o g\u00fcnleri anlatan, sunan da \u015fimdinin Romas\u0131 Amerika; ba\u015fkald\u0131r\u0131\u015f\u0131n en kaliteli dizisini yapan da o, k\u00f6lele\u015ftirmeye devam eden de…<\/p>\n

\u0130nsanl\u0131\u011f\u0131n ba\u015f\u0131na bela Yahudiler Hz. \u0130sa’y\u0131 arama i\u015finin ba\u015f\u0131n\u0131 \u00e7ekenler aras\u0131nda\u2026 Tarihin her d\u00f6neminde tahrip\u00e7i mizac\u0131n\u0131 sahneye koyan, nerede birlik g\u00f6rse da\u011f\u0131tan yahudi, Romal\u0131lardan bin kat daha hevesli Hz. \u0130sa\u2019y\u0131 ar\u0131yor \u00f6ld\u00fcrmek i\u00e7in. Ve onunla alakal\u0131 her \u015feyde, g\u00f6n\u00fcll\u00fc olarak g\u00f6rev al\u0131yor.<\/p>\n

Allah taraf\u0131ndan Hz. \u0130sa g\u00f6\u011fe \u00e7ekiliyor ve il\u00e2hi hikmet ve kader ic\u00e2b\u0131 y\u00fcz\u00fc Hz. \u0130sa\u2019ya benzettirilen Yuda \u00e7arm\u0131ha geriliyor\u2026<\/p>\n

\u00c7arm\u0131hta \u201cterk edilen\u201d Yuda\u2026<\/p>\n

R\u00f6nesans\u2019ta ve sonras\u0131nda bir\u00e7ok me\u015fhur ressam\u0131n mevzu etti\u011fi bir tablo: \u201cSon yemek” yahut “Son ak\u015fam yeme\u011fi”… 15. y\u00fczy\u0131lda Milano<\/a>‘da Leonardo da Vinci<\/a> taraf\u0131ndan Duke Lodovico Sforza’n\u0131n iste\u011fi \u00fczerine yap\u0131lm\u0131\u015f bir fresktir. \u0130lgin\u00e7tir, H\u0131ristiyanl\u0131k inanc\u0131na g\u00f6re “Son Ak\u015fam Yeme\u011fi<\/a>‘nde \u0130sa<\/a> ve Havarileri Kutsal Kase<\/a>‘den \u015farap i\u00e7iyorlar ve ekmek yiyorlard\u0131”; ancak Da Vinci’nin resminde k\u00e2se ve \u015farapl\u0131 ekmek yoktur. H\u0131ristiy<\/a>anl\u0131k d\u00fcnyas\u0131nda uzun y\u0131llar tart\u0131\u015fma konusu olmu\u015ftur bu durum. Hz. \u0130sa ve havarilerinin bulundu\u011fu, ve Hz. \u0130sa\u2019n\u0131n \u201cHoroz \u00f6tmeden biriniz beni ihbar edecek!\u201d\u00a0 dedi\u011fi ak\u015fam.<\/p>\n

Tablo\u2019daki Yuda-Yehuda, tedirgin\u2026<\/p>\n

Judas ve Son Yemek… Bu isim ve yemek etraf\u0131nda biraz dural\u0131m.<\/p>\n

H\u0131r\u0131stiyanl\u0131k’ta ve Bat\u0131’da Yuda ihanetin sembol\u00fcd\u00fcr. G\u00fcnl\u00fck konu\u015fma dilinden deyimlere kadar uzanan binbir yerde ona rastlayabilirsiniz;<\/p>\n

Mesela birisi size ihanet etmi\u015fse “seni yuda senii” tarz\u0131nda hitap eder H\u0131ristiyanlar…<\/p>\n

\u015eiirlerden \u015fark\u0131lara, bira isminden 13 rakam\u0131n\u0131n u\u011fursuzlu\u011funa inanmaya kadar binlerce arg\u00fcman\u0131 kendisinde bar\u0131nd\u0131r\u0131r bu isim. Bat\u0131’da idam mahkumlar\u0131na \u00f6zellikle “son yemek” isteklerinin sorulmas\u0131n\u0131n da Hz. \u0130sa ve havarilerinin yedikleri yemekten at\u0131fla oldu\u011funun da alt\u0131n\u0131 \u00e7izelim. Mesela Tablo\u2019daki d\u00f6k\u00fclm\u00fc\u015f tuzdan m\u00fclhem Amerika ve Bat\u0131’da d\u00f6k\u00fclm\u00fc\u015f tuzun u\u011fursuzlu\u011funa inan\u0131l\u0131r. Lost dizisinin tan\u0131t\u0131m fragmanlar\u0131ndan b\u00fct\u00fcn bir edebiyat d\u00fcnyas\u0131na kadar y\u00fczlerce misal verilebilir.<\/p>\n

“Judas”\u0131n Frans\u0131zca da “Dikiz deli\u011fi” m\u00e2n\u00e2s\u0131na gelmesi, Bel\u00e7ika’da bir bira ismi olmas\u0131, Depeche mode’un bir \u015fark\u0131s\u0131n\u0131n konusu olmas\u0131 gibi g\u00fcn\u00fcm\u00fcze dair misaller de vard\u0131r; edebiyat alan\u0131nda ilk hatr\u0131m\u0131za gelen misal Oscar Wilde’\u0131n The ballad of reading gaol<\/a> – Reading Zindan\u0131 Balad\u0131<\/em><\/a>‘<\/a>d\u0131r; bu balad’\u0131n ilk k\u0131sm\u0131nda ge\u00e7en:<\/p>\n

“Kulak verin s\u00f6zlerime iyice,<\/p>\n

Herkes \u00f6ld\u00fcrebilir sevdi\u011fini<\/p>\n

Kimi bir bak\u0131\u015f\u0131yla yapar bunu,<\/p>\n

Kimi dalkavuk\u00e7a s\u00f6zlerle,<\/p>\n

Korkaklar \u00f6p\u00fcc\u00fck ile \u00f6ld\u00fcr\u00fcr,<\/p>\n

Y\u00fcrekliler k\u0131l\u0131\u00e7 darbeleriyle!”<\/p>\n

b\u00f6l\u00fcm\u00fcn\u00fcn “Korkaklar \u00f6p\u00fcc\u00fck ile \u00f6ld\u00fcr\u00fcr” m\u0131sralar\u0131, Yehuda’n\u0131n anla\u015ft\u0131\u011f\u0131 Romal\u0131lara, Hz. \u0130sa’y\u0131 \u00f6perek i\u015faret etmesine at\u0131ft\u0131r. “Kiss of judas”\u00a0 Yuda’n\u0131n \u00d6p\u00fcc\u00fc\u011f\u00fc; Yuda, Romal\u0131lar’\u0131n verdi\u011fi 30 g\u00fcm\u00fc\u015f para kar\u015f\u0131l\u0131\u011f\u0131nda ‘yar\u0131n meydanda onu \u00f6pece\u011fim, gidip yakalars\u0131n\u0131z’ diyerek bu \u00f6p\u00fcc\u00fc\u011f\u00fc i\u015faret olarak kullan\u0131r. Son ak\u015fam yeme\u011fi’nin ertesi g\u00fcn\u00fc verilen bu \u00f6p\u00fcc\u00fck, ihanet \u00f6p\u00fcc\u00fc\u011f\u00fc olarak da bilinir…<\/p>\n

Yuda’n\u0131n k\u0131z\u0131l sakall\u0131 olmas\u0131 bile Avrupa’da \u00f6zellikle Orta\u00e7a\u011f’da k\u0131z\u0131l sa\u00e7l\u0131 ve sakall\u0131lara kar\u015f\u0131 \u00f6nyarg\u0131 do\u011furmu\u015f ve nefrete sebeb olmu\u015ftur. Irk olarak k\u0131z\u0131ll\u0131\u011f\u0131n yayg\u0131n oldu\u011fu Kelt’liler de bu bak\u0131\u015f a\u00e7\u0131s\u0131ndan epey pay sahibidirler.\u00a0 \u0130talyanca “Barba rossa” kelimelerinden t\u00fcreyen “k\u0131z\u0131l sakal” s\u0131fat\u0131n\u0131n me\u015fhur Osmanl\u0131 kumandanlar\u0131ndan Oru\u00e7 Reis<\/a>‘e k\u0131z\u0131la \u00e7alan sakal\u0131 y\u00fcz\u00fcnden Barbarossa ad\u0131n\u0131 vermeleri de tesad\u00fcf\u00ee olmasa gerek? Oru\u00e7 Reis’in \u015fehadetinin ard\u0131ndan k\u00fc\u00e7\u00fck karde\u015fi H\u0131z\u0131r i\u00e7in kullan\u0131lan bu isim, T\u00fcrk\u00e7eye Barbaros <\/em>olarak ge\u00e7mi\u015ftir. Herkesin bildi\u011fi “Barbaros Hayreddin Pa\u015fa” m\u00e2lum…<\/p>\n

Yehuda’n\u0131n Hz. \u0130sa zannedilerek \u00e7arm\u0131ha gerildi\u011fi a\u011fac\u0131n erguvan oldu\u011fu ve b\u00f6yle bir al\u00e7aktan utanarak k\u0131zard\u0131\u011f\u0131 ve pembele\u015fti\u011fine inan\u0131l\u0131r H\u0131r\u0131stiyanlarca…<\/p>\n

Van Gogh, \u201cBalzac\u2019\u0131n sadece \u015fu c\u00fcmlesi yeter\u201d derken acaba o geceyi, ertesi g\u00fcn\u00fcn\u00fc m\u00fc kast ediyordu: \u201cfundal\u0131klarda sessiz duran bir horoz gibi\u201d\u2026<\/p>\n

Sadece tek bir kelime ve isim etraf\u0131nda bu kadar zenginli\u011fi baz alarak d\u00fc\u015f\u00fcn\u00fcrsek, H\u0131r\u0131stiyanl\u0131k’\u0131n Antik Romal\u0131lar ve Bat\u0131 k\u00fclt\u00fcr\u00fc \u00fczerindeki etkilerini ve Roma’n\u0131n R\u00f6nesans’a do\u011fru k\u0131vr\u0131l\u0131\u015f\u0131n\u0131 daha iyi anlayabiliriz san\u0131r\u0131z.<\/p>\n

Roma ve Yahudiler Hz. \u0130sa\u2019n\u0131n \u00f6ld\u00fc\u011f\u00fc tesellisi ile sevine dursunlar, \u00dcstad Necip Faz\u0131l\u2019\u0131n dedi\u011fi ile \u201cHz. \u0130sa\u2019n\u0131n \u00fcfledi\u011fi nefes\u201d b\u00fct\u00fcn Roma\u2019y\u0131 saracak ve devletin dini olacak.<\/p>\n

Fakat her ne var ki, Ashab-\u0131 Kehf misalinden bildi\u011fimiz gibi, Hz. \u0130sa\u2019n\u0131n getirdi\u011fi ve s\u00f6yledi\u011fi tahrif edilmi\u015f, putla\u015ft\u0131r\u0131lm\u0131\u015f bir h\u00e2le gelecekti. Ne olursa olsun, Roma\u2019l\u0131 i\u00e7indeki bo\u015flu\u011fu, r\u00fbh\u00ee ukdesini bulmu\u015ftu. Gayretlerini bir de\u011fere ba\u011fl\u0131yordu art\u0131k.<\/p>\n

H\u0131ristiyanl\u0131\u011f\u0131 hayatlar\u0131n\u0131n merkezine ald\u0131lar ve elde ettikleri b\u00fct\u00fcn verimlere yeni bir g\u00f6z-ruh ile bakt\u0131lar. Kilise kuruldu, Latin dili iyice ehemmiyet kazand\u0131.<\/p>\n

Milattan sonraki d\u00f6nemlerde ilm\u00ee verilerin hepsi teolojik boyutlar\u0131 ile de de\u011ferlendirilmeye ba\u015flanm\u0131\u015ft\u0131. Yunan Akl\u0131\u2019n\u0131n verimleri sonras\u0131nda Kilise\u2019nin s\u00f6ylemleri ile \u00e7at\u0131\u015fmaya ba\u015flam\u0131\u015ft\u0131. Bu mevzuya bir misal verelim. Astronomi\u2019de belirli bir noktaya gelinmi\u015f bir h\u00e2lde iken Kilise buna kar\u015f\u0131 \u00e7\u0131kt\u0131. Kud\u00fcsl\u00fc rahip Cyril (\u00f6l\u00fcm\u00fc M.S. 360) ile Tarsus Metropoliti Diodorus (\u00f6l\u00fcm\u00fc M.S. 394)un deste\u011fi ile, me\u015fhur \u201cd\u00fcnya d\u00fczd\u00fcr!\u201d karar\u0131 al\u0131nd\u0131. Prof Dr. H\u00fcseyin Gazi Topdemir\u2019in ifadesi ile \u201cba\u015fta ilme sahip olmak ba\u015fl\u0131 ba\u015f\u0131na bir erdem say\u0131l\u0131rken, giderek ilmin yarar\u0131 tart\u0131\u015f\u0131lmaya ba\u015fland\u0131.\u201d<\/p>\n

Tarih M.S. 476 s\u0131ralar\u0131\u2026 Bat\u0131 b\u00f6yle de di\u011ferleri nas\u0131l ki? Hep \u00f6yle\u2026 B\u00fct\u00fcn d\u00fcnya, tarihi boyunca g\u00f6rmedi\u011fi bir karanl\u0131\u011fa ni\u00e7in g\u00f6m\u00fclm\u00fc\u015ft\u00fc? Nas\u0131l ve neden? D\u00fcnya cahilliye d\u00f6nemine girmi\u015f ve mahfuzlar hari\u00e7 vah\u015filerin ya\u015fad\u0131\u011f\u0131 bir yer olmu\u015ftu.<\/p>\n

Ayl\u0131k Dergisi 104. Say\u0131 May\u0131s 2013<\/p>\n

Yaz\u0131: Fatih Turplu<\/p>\n","protected":false},"excerpt":{"rendered":"

-Son Yemek-   Panteon\u2019da, evlerde ve Roma\u2019n\u0131n dehlizlerinde herkes ayn\u0131 mevzuyu konu\u015fuyordu. K\u00e2h \u015fehir meydanlar\u0131nda, k\u00e2h ma\u011faralarda g\u00f6r\u00fcnen bir adam\u0131n s\u00f6yledikleriydi herkesin ortak mevzusu: \u201cSa\u011f yana\u011f\u0131na tokat at\u0131lsa, di\u011fer yana\u011f\u0131n\u0131…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[23],"class_list":["post-459","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-fatih-turplu","no-post-thumbnail"],"yoast_head":"\nBat\u0131 D\u00fcnyas\u0131 ve Temel Dayanaklar\u0131 \u00dczerine -III- Ayl\u0131k Dergisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aylikdergisi.com\/index.php\/2013\/05\/08\/bati-dunyasi-ve-temel-dayanaklari-uzerine-iii\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bat\u0131 D\u00fcnyas\u0131 ve Temel Dayanaklar\u0131 \u00dczerine -III- Ayl\u0131k Dergisi\" \/>\n<meta property=\"og:description\" content=\"-Son Yemek-   Panteon\u2019da, evlerde ve Roma\u2019n\u0131n dehlizlerinde herkes ayn\u0131 mevzuyu konu\u015fuyordu. K\u00e2h \u015fehir meydanlar\u0131nda, k\u00e2h ma\u011faralarda g\u00f6r\u00fcnen bir adam\u0131n s\u00f6yledikleriydi herkesin ortak mevzusu: \u201cSa\u011f yana\u011f\u0131na tokat at\u0131lsa, di\u011fer yana\u011f\u0131n\u0131…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aylikdergisi.com\/index.php\/2013\/05\/08\/bati-dunyasi-ve-temel-dayanaklari-uzerine-iii\/\" \/>\n<meta property=\"og:site_name\" content=\"Ayl\u0131k Dergisi\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AylikBaranDergisi\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-08T12:46:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-08T12:46:29+00:00\" \/>\n<meta name=\"author\" content=\"Fatih Turplu\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Aylik_Dergisi\" \/>\n<meta name=\"twitter:site\" content=\"@Aylik_Dergisi\" \/>\n<meta name=\"twitter:label1\" 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