Kendinden zuhur di\u00adyalekti\u011fi ve sembol diliyle, yeni bir tarz, yeni bir s\u00f6yleyi\u015f… Bize, bizdekini bulduran, bi\u00adze bizi hissettiren, sezdiren bir us\u00fbl, bir \u015fiiriyet; M\u00fcn\u015fe\u00adattan bahsediyoruz… \u0130\u00e7imi\u00adze i\u00e7imizden bir sesleni\u015f…<\/p>\n
M\u00fcn\u015feat, ne \u015fiir, ne ne\u00adsir, ne de mensur \u015fiir; tama\u00admen Salih Mirzabeyo\u011flu\u2019nun icad\u0131n\u0131n ismi… Mal\u00adzeme olarak, ke\u015fif olarak Sa\u00adlih Mirzabeyo\u011flu\u2019na ait; ke\u015fif ona ait, malzemenin kayna\u011f\u0131 da \u0130sl\u00e2m\u2019\u0131n mal\u0131… B\u00fcy\u00fck sanatk\u00e2rlar kendi tarz\u0131n\u0131, kendi usul\u00fcn\u00fc de icad eder; M\u00fcn\u015feat buna bir mis\u00e2l… Andre Gide\u2019nin \u015fu tesbitinde oldu\u011fu gibi: \u201c\u0130\u015fte bunun i\u00e7in hayat\u0131n en ta\u015fk\u0131n oldu\u011fu devirlerde de\u011fil midir ki, en heyecanl\u0131 deh\u00e2lar en s\u0131k\u0131 kal\u0131plar\u0131n ihtiyac\u0131 ile k\u0131vranm\u0131\u015flard\u0131r. Bereketli R\u00f6ne\u00adsans zaman\u0131nda Shakespeare\u2019nin, Rensard\u2019\u0131n, Petrovca\u2019n\u0131n, Michelangelo\u2019nun so\u00adneyi, Dante\u2019nin \u00fc\u00e7l\u00fc k\u00e2fiye\u00adleri kullanmalar\u0131; Bach\u2019\u0131n Fugure\u2019\u00fc, a\u015f\u0131r\u0131 duydu\u011fu da\u00adyan\u0131lmaz ihtiya\u00e7 hep bundand\u0131r.\u201d<\/p>\n
M\u00fcn\u015feat tarz\u0131, \u015fiirden daha zor… Unsurlar\u0131 yerine getirdin mi belki \u015fiiri yakala\u00adyabilirsin, ama m\u00fcn\u015feat tar\u00adz\u0131n\u0131n belli unsurlar\u0131 olmama\u00ads\u0131 i\u015fi daha da zorla\u015ft\u0131r\u0131yor; yaln\u0131z \u015fiiriyet de yetmiyor, keyfiyet y\u00fckl\u00fc bir muhteva\u00adn\u0131n ard\u0131ndan da usta bir s\u00f6yleyi\u015f gerekiyor… Nesir tarz\u0131n\u0131n kolayl\u0131\u011f\u0131 zaten s\u00f6z konusu de\u011fil, M\u00fcn\u015feat tar\u00adz\u0131n\u0131n, \u201cmensur \u015fiir\u201d olma\u00add\u0131\u011f\u0131n\u0131 da s\u00f6ylemi\u015ftik. Yerin\u00adde kal\u0131b\u0131n kolayl\u0131\u011f\u0131, M\u00fcn\u015fe\u00adatta yok, kolay g\u00f6r\u00fcn\u00fcrken \u00e7ok zor bir tarz… Hem fikir tertibi olacak, hem s\u0131ra d\u0131\u015f\u0131 olacak, hem \u015fu, hem bu…<\/p>\n
M\u00fcn\u015feat gibi zor bir tarzda girift meseleler yal\u0131n bir dille veriliyor; \u00e7\u00fcnk\u00fc M\u00fc\u00adtefekkir Salih Mirzabeyo\u011flu\u2019nda, \u00e7ok girifti basite irca etme hassas\u0131 var… Tasavvuf\u00adtaki \u015fu tesbiti, Salih Mirzabeyo\u011flu hakk\u0131nda aktarabili\u00adriz: \u201cY\u00fckseli\u015fi \u00e7ok olan\u0131n, ini\u015fi \u00e7ok olur.\u201d<\/p>\n
\u00dcst\u00fcn tecrid kuma\u015f\u0131 sa\u00adhibi Salih Mirzabeyo\u011flu\u2019nu bir\u00e7ok eserlerinde oldu\u011fu gi\u00adbi bu eserinde de, \u0130sl\u00e2m\u2019dan ald\u0131klar\u0131n\u0131 bir nev\u00ee \u201cmeslek s\u0131rr\u0131\u201d gibi saklayan Bat\u0131 fikir adamlar\u0131n\u0131 bu h\u00fcviyetiyle de if\u015f\u00e2 etmek var… Kant, Hegel, Nietzsche, b\u00fct\u00fcn Bat\u0131 felse\u00adfesinin toplam\u0131d\u0131r. \u0130sl\u00e2m kaynaklar\u0131 ellerinin alt\u0131nda ve \u00e7ok istifade etmi\u015fler!.. \u0130mam-\u0131 Gazali, \u0130bn-\u00ee Arab\u00ee ve di\u011ferlerinden… \u0130lm-i Led\u00fcn sahibi Salih Mirzabeyo\u011flu, Bat\u0131 fikir adamlar\u0131n\u0131n bizden ald\u0131klar\u0131n\u0131 i\u015ftikaklar\u0131ndan buluyor ve onlar\u0131 vererek as\u00adl\u0131nda kendi mal\u0131m\u0131z\u0131 g\u00f6steri\u00adyor… \u201cKendinden Zuhur Di\u00adyalekti\u011fi\u201d etraf\u0131nda, bizim davam\u0131z\u0131 bizim olan\u0131 geri ge\u00adtiriyor; \u0130sl\u00e2m\u2019dan alman\u0131 geri getiriyor Mirzabeyo\u011flu…<\/p>\n
M\u00fcn\u015feat, merkezde… Ba\u00adk\u0131nca Nietzsche akl\u0131m\u0131za ge\u00adliyor; Allahs\u0131zl\u0131\u011f\u0131 anlat\u0131yor, M\u00fcn\u015feat tam tersini… Ni\u00adetzsche kendisine kadar olan zamandaki malzemeyi sem\u00adbol diline d\u00f6km\u00fc\u015ft\u00fcr. Bat\u0131 tefekk\u00fcr\u00fcn\u00fc ne kadar bilir\u00adsek Nietzsche\u2019yi o kadar anlar\u0131z. Yapt\u0131\u011f\u0131 sentezi, sembol\u00adle\u015ftirerek vermi\u015f. Nietzsche Allahs\u0131z olmak i\u00e7in anlat\u0131yor, \u0130BDA Mimar\u0131 Allahl\u0131 olmay\u0131 anlat\u0131yor; Nietzsche Hint\u2019in hareketsizli\u011fini tam harekete ge\u00e7iriyor, Mirzabeyo\u011flu ise Nietzsche\u2019nin tam Allahs\u0131zl\u0131\u00ad\u011f\u0131n\u0131, tam Allahl\u0131l\u0131\u011fa \u00e7eviri\u00adyor… M\u00fcn\u015feat\u2019 ta Nietzsc\u00adhe\u2019nin \u201c\u00fcst\u00fcn insan\u201d mis\u00e2li oldu\u011fu gibi kal\u0131p olarak veriliyor ki, okuyan Nietzsche\u2019yi hat\u0131rlas\u0131n ve nereye \u00e7evrildi\u00ad\u011fini g\u00f6rs\u00fcn!..<\/p>\n
Nietzsche, Tao felsefesini tersine \u00e7eviriyor \u00e7ar\u015faf gibi, Bat\u0131 Felsefesinin \u00fczerine sil\u00adkeliyor… Bat\u0131 Felsefesi plastite… Ruh\u00ee incelik ve derinlik de\u011fil, markala\u015ft\u0131r\u0131p tasarrufuna al\u0131\u00adyor… Derinliklerin \u00fcretti\u011fini markalay\u0131p kendine al\u0131\u00adyor… \u00dcstad\u2019\u0131n, \u201cBat\u0131 fikirde son derece hilek\u00e2rd\u0131r\u201d tesbitini biliyoruz… Nietzsche, bir nev\u00ee Mehdi\u2019yi anlat\u0131yor, kendinde \u201cyerel peygamber\u201di oynuyor…<\/p>\n
M\u00fcn\u015feat\u2019tan \u00f6nemli bir bahis, \u201cKad\u0131n ve Erkek\u201d… \u2018Tecridin gayesi tevhid, tecrit s\u0131r\u0131 tevhid s\u0131n\u0131r\u0131nda\u201d de\u00adniyor… Tecrit h\u0131rkas\u0131, tevhid srr\u0131… \u0130sl\u00e2m\u00ee kad\u0131n-erkek ahengi… Bu bahiste asl\u0131nda erke\u011fin haysiyetini k\u0131r\u0131c\u0131 bir ta\u00adraf var; erkek toparlay\u0131\u00adc\u0131 olmad\u0131ktan sonra, k\u00e2mil s\u0131fatlar\u0131 ku\u015fanmad\u0131ktan sonra…<\/p>\n
\u00c7ocuk hikmeti… \u00c7ocuklar b\u00fcy\u00fc\u011f\u00fc de, k\u00fc\u00e7\u00fc\u011f\u00fc de teshir eder. Musa Aleyhissel\u00e2m da tecelli eden \u00e7ocuk hik\u00admeti… Deha Salih Mir\u00adzabeyo\u011flu i\u00e7in, \u201cy\u00fckseli\u00ad\u015fi \u00e7ok olan\u0131n, ini\u015fi \u00e7ok olur\u201d tesbitini hat\u0131rlat\u00adm\u0131\u015ft\u0131k… \u201cTasarruf-Teshir\u201d m\u00fcn\u015feat\u0131nda, \u201cha\u00adyat\u0131m \u00e7ocuk!\/teshirim vard\u0131r benim\/hem b\u00fcy\u00fck-hem k\u00fc\u00e7\u00fckte\/\u201d de\u00adniyor. ..<\/p>\n
Bilindi\u011fi \u00fczere, B.D-\u0130BDA \u0130sl\u00e2m\u2019a Mu\u00adhatap Anlay\u0131\u015f\u0131, bir \u015fuur s\u00fczgecidir… S\u00fczme… Bir \u015fey s\u00fcz\u00fc\u00adl\u00fcnce o ba\u015fka bir \u015fey olur… S\u00fczmek, tasfiye etmek demek… \u0130BDA Mimar\u0131, Bat\u0131 Tefekk\u00fcr\u00fc\u00adn\u00fc al\u0131p tasfiye ediyor… Hegelci, Bergsoncu v.s. olmuyoruz… \u00c2deta bunlar\u0131n d\u00fckk\u00e2nlar\u0131n\u0131 tasfiye ediyor; b\u00f6ylece d\u00fcnya k\u00fclt\u00fcr yemi\u015flerini, tasarrufu alt\u0131na al\u0131yor…<\/p>\n
M\u00fchim olan laf de\u011fil, i\u015fin ruhunu verebilmek, ruhlara bir \u015feyler verebilmek… Kuru laf olarak \u201c\u0130sl\u00e2m h\u00e2kimdir, \u0130s\u00adl\u00e2m\u2019da her \u015fey vard\u0131r!..\u201d de\u00admekle olmuyor; bunun \u201cnas\u0131l\u201d ve \u201cni\u00e7in\u201dini g\u00f6ster\u00admek, tevhid s\u0131rr\u0131n\u0131 tecrit s\u0131rr\u0131nda i\u015faretle\u00admek gerek… \u0130\u015fte, BD-\u0130BDA bunun i\u00e7in var… \u0130BDA\u2019n\u0131n do\u011frulay\u0131c\u0131l\u0131k usul\u00fc… Ha\u00adyata \u0130sl\u00e2m\u2019\u0131 do\u011frula\u00admaya geldik; \u0130BDA, BD\u2019yi do\u011fruluyor, BD malum, \u0130sl\u00e2m\u2019\u0131n emir subayl\u0131\u011f\u0131… Hayat do\u011frulamak ve do\u011frulanmakt\u0131r… Bir felse\u00adfeci de \u201cdo\u011frular\u201d ama do\u011frulanm\u0131yor… Rast gele do\u011frulay\u0131c\u0131l\u0131k de\u00ad\u011fil, ruhun dedi\u011fini ya\u00adpacaks\u0131n, \u00f6l\u00e7\u00fcye vura\u00adcaks\u0131n… \u00d6l\u00e7\u00fclendirme \u00f6l\u00e7\u00fcleri, yani \u0130s\u00adl\u00e2m\u2019a Muhatap Anla\u00ady\u0131\u015f… \u00d6yle ki, davam\u0131z\u0131 bir Allahs\u0131z\u0131n (Nietzsche) anlatt\u0131klar\u0131yla bile beslemek, destekle\u00admek…<\/p>\n
M\u00fcn\u015feat\u2019ta fikir sanata yakla\u015ft\u0131r\u0131l\u0131yor; sanat hayata daha yak\u0131n \u00e7\u00fcnk\u00fc… Baz\u0131 yerler ise \u00f6zellikle atlanm\u0131\u015f, \u00f6zellikle s\u00f6ylenmemi\u015f; okuyucu doldursun, okuyucu bulsun di\u00adye…<\/p>\n
Samim\u00ee bir ed\u00e2, vurucu bir dil, zoru kolayca verme, duygulu bir yak\u0131c\u0131l\u0131k, \u00e7ileli ve onurlu bir anlat\u0131m, deli dolu ve yerinde k\u00fclhan bir a\u011f\u0131z, sevdiren ve sindiren bir \u00fcslub, iflah olmaz bir a\u015fk; yak\u0131\u015f\u0131 mest eden M\u00fcn\u015feat…<\/p>\n
<\/p>\n
<\/p>\n
Ayl\u0131k Dergisi 1. Say\u0131<\/p>\n
Ekim 2004<\/p>\n","protected":false},"excerpt":{"rendered":"
Kendinden zuhur di\u00adyalekti\u011fi ve sembol diliyle, yeni bir tarz, yeni bir s\u00f6yleyi\u015f… Bize, bizdekini bulduran, bi\u00adze bizi hissettiren, sezdiren bir us\u00fbl, bir \u015fiiriyet; M\u00fcn\u015fe\u00adattan bahsediyoruz… \u0130\u00e7imi\u00adze i\u00e7imizden bir sesleni\u015f… M\u00fcn\u015feat,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[15],"class_list":["post-1132","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-kazim-albay","no-post-thumbnail"],"yoast_head":"\n