{"id":1016,"date":"2020-08-01T16:43:20","date_gmt":"2020-08-01T16:43:20","guid":{"rendered":"https:\/\/www.aylikdergisi.com\/?p=1016"},"modified":"2025-04-01T16:44:44","modified_gmt":"2025-04-01T16:44:44","slug":"istanbul","status":"publish","type":"post","link":"https:\/\/www.aylikdergisi.com\/index.php\/2020\/08\/01\/istanbul\/","title":{"rendered":"\u0130stanbul"},"content":{"rendered":"

\u015eehr-i \u015eeh\u00eer <\/strong><\/p>\n

Koca \u0130stanbul, \u00e7evre kentleri buraya g\u0131ptayla bakar, hatta k\u0131skan\u00e7l\u0131k bile ederler. \u00dcstad Necip Faz\u0131l\u2019\u0131n ifadesiyle, \u201cay ve g\u00fcne\u015f ezelden iki \u0130stanbulludur.\u201d<\/em> \u0130zbe \u00e7\u0131kmaz sokaklar\u0131ndan tutun da, en ferah al\u0131ml\u0131 muhitlerine kadar her ta\u015f, \u00e7izgi, rengiyle g\u00fcz\u00eede bir memlekettir buras\u0131. \u0130stanbul\u2019da do\u011fmu\u015f ve b\u00fcy\u00fcm\u00fc\u015f olmaktan minnet duyuyorum. Ayasofya\u2019n\u0131n tekrar asl\u00ee h\u00fcviyetine d\u00f6nd\u00fcr\u00fclmesiyle beraber kendime; \u201cNe kadar \u0130stanbullu\u2019yum?\u201d diye sormaktan kendimi al\u0131koyamad\u0131m. Hakikaten de tarih boyu me\u015fhur, milletleraras\u0131nda \u015f\u00f6hreti hi\u00e7 azalmam\u0131\u015f, peri masallar\u0131ndaki mek\u00e2nlara ta\u015f \u00e7\u0131kartan, efsanelerin mevzuu, krallar ve padi\u015fahlar\u0131n g\u00f6zdesi bu \u015fehri ne kadar iyi tan\u0131yoruz? M\u00fctefekkirler, falanca muharrirler, ayd\u0131nlar\u0131n roman, \u015fiir ve fikirlerinin ba\u015f tac\u0131 bu \u015fehrin yabanc\u0131s\u0131 olmayal\u0131m? Albert Camus kadar olmasa da, biz de birer \u201cYabanc\u0131\u201dy\u0131z. \u0130stanbulluyuz g\u00fcya… \u0130stanbul derya biz i\u00e7indeki minik bal\u0131klar gibiyiz. Arada hafakanlar bas\u0131yor, ba\u015fka \u015fehirleri ziyaret ediyor olsak da, sonras\u0131nda soluksuz kal\u0131yoruz, ba\u011f\u0131ml\u0131s\u0131y\u0131z \u0130stanbul\u2019un.<\/p>\n

Ayasofya ve S\u00fcleymaniye<\/strong><\/p>\n

Refik Halid Karay, \u201cg\u00fczel\u201d ile, \u201cal\u0131ml\u0131-sempatik\u201d aras\u0131ndaki fark\u0131 \u00e7ok g\u00fczel belirtmi\u015ftir: \u201cKad\u0131na g\u00fczellikten ne anlad\u0131\u011f\u0131n\u0131 sorarsan\u0131z hemen kendini d\u00fc\u015f\u00fcn\u00fcr; bir erkek ise sevgilisini hat\u0131rlar, artistin akl\u0131na gelen yapt\u0131\u011f\u0131 heykeller ve resimlerdir; bir filozof ise bir \u015feycikler diyemez, \u015fa\u015f\u0131r\u0131r kal\u0131r! G\u00fczelli\u011fin \u2018th\u00eaorique-nazar\u00ee\u2019 bir taraf\u0131 yoktur; ancak tarih bak\u0131m\u0131ndan tarifler yap\u0131labilir. Zira her \u00e7a\u011f kendine g\u00f6re bir g\u00fczelli\u011fe sahiptir.\u201d Yine ona g\u00f6re, bir devrin g\u00fczel buldu\u011fu \u015fey ba\u015fka devirlerde de g\u00fczel g\u00f6z\u00fck\u00fcyorsa, hakikaten g\u00fczelmi\u015f… Bu adam, \u0130stanbul\u2019u can-\u0131 g\u00f6n\u00fclden sevmi\u015ftir. \u00d6yleyse \u0130stanbul\u2019un \u201cg\u00fczel\u201d birka\u00e7 mabedinden bahsetmek l\u00e2z\u0131m. Her ne kadar, bir semtten ba\u015fka bir semte ge\u00e7erken yar\u0131m saatlik bir zaman yolculu\u011funda, bizi \u00e7ileden \u00e7\u0131kartan, sabr\u0131m\u0131z\u0131n ayar\u0131yla oynayan insanlarla kar\u015f\u0131la\u015fsak da bahtl\u0131 milletiz. \u00dcsk\u00fcdar\u2019dan, Emin\u00f6n\u00fc\u2019ne ge\u00e7erken Ayasofya Camii ile Topkap\u0131 Saray\u0131\u2019n\u0131 g\u00f6r\u00fcr\u00fcz. Bahtl\u0131y\u0131z ki, Ayasofya gibi d\u00fcnyan\u0131n en heybetli mabedlerinden birinin kar\u015f\u0131s\u0131na eli bo\u015f \u00e7\u0131kmam\u0131\u015f\u0131z, ona yeniden m\u00e2n\u00e2 ve ruh atfederken, S\u00fcleymaniye, Beyaz\u0131t ve Sultanahmet gibi g\u00f6z kama\u015ft\u0131r\u0131c\u0131 eser-mabedlerle destekleyip, s\u00fcsleyebilmi\u015fiz.<\/p>\n

Caddebostan ile Bostanc\u0131<\/strong><\/p>\n

Bahsetti\u011fimiz g\u00fczellikler her ne kadar benli\u011fimizi, de\u011ferlerimizi hat\u0131rlatsa da; eksik bir \u015fey var. \u015eahsen \u0130stanbullu olman\u0131n hakk\u0131n\u0131 vermedi\u011fimi d\u00fc\u015f\u00fcn\u00fcyorum. Caddebostan\u2019da gezen birisine, buran\u0131n bir zamanlar ad\u0131n\u0131n Cad\u0131bostan\u0131 oldu\u011funu ve bug\u00fcnk\u00fc Bostanc\u0131\u2019ya vaktiyle Bostanc\u0131 Ba\u015f\u0131 denildi\u011fini s\u00f6yledi\u011fimizde hayrete d\u00fc\u015febilir.<\/p>\n

Beyo\u011flu, \u015ei\u015fli ve Ni\u015fanta\u015f\u0131<\/strong><\/p>\n

Peki ya Beyo\u011flu?.. Do\u011fu Roma \u0130mparatorlu\u011fu d\u00f6neminde bu muhitte yerle\u015fim yokmu\u015f. Halk da buray\u0131 adland\u0131rmak i\u00e7in \u201ckar\u015f\u0131 yaka, \u00f6te\u201d anlam\u0131na gelen \u201cpera\u201d kelimesini kullanarak Peran Ba\u011flar\u0131 dermi\u015f… Gayrim\u00fcslimler Beyo\u011flu\u2019na Pera dese de T\u00fcrkler Pera diye hitap etmemi\u015f. Bir rivayete g\u00f6re: Fatih Sultan Mehmed zaman\u0131nda Pontus prenslerinden Aleksios Komnenos \u0130sl\u00e2miyet\u2019i kabullenmi\u015f, ona at\u0131fla, muhitin ad\u0131 Beyo\u011flu olmu\u015f… 1870\u2019de burada bir h\u00e2dise ya\u015fanm\u0131\u015f ve tarihe \u201cB\u00fcy\u00fck Beyo\u011flu Yang\u0131n\u0131\u201d olarak ge\u00e7mi\u015f. Beyo\u011flu, bug\u00fcnk\u00fc \u015feklini o yang\u0131ndan sonra alm\u0131\u015f. Osmanl\u0131 bu vak\u0131adan sonra yang\u0131n sigortas\u0131 diye bir \u00e7al\u0131\u015fma ba\u015flatm\u0131\u015f. Ni\u015fanta\u015f\u0131 ve \u015ei\u015fli gibi m\u00fchim semtler de bu yang\u0131ndan sonra ayr\u0131 bir ehemmiyet kazanm\u0131\u015f.<\/p>\n

B\u00fcy\u00fck Beyo\u011flu yang\u0131n\u0131ndan sonra, Beyo\u011flu\u2019ndaki el\u00e7ilikler, yabanc\u0131 misyonerler, Laventenler kendilerine yeni yerle\u015fim alanlar\u0131 aram\u0131\u015f… Baz\u0131lar\u0131 Ayazpas\u0327a-Gu\u0308mu\u0308s\u0327suyu \u00e7evresine (Bug\u00fcnk\u00fc Alman Konsoloslu\u011fu civar\u0131), baz\u0131lar\u0131 da Taksim\u2019den \u015ei\u015fli\u2019ye do\u011fru y\u00f6nelmi\u015f. Pangalt\u0131 ve Osmanbey\u2019e de gidenler olmu\u015f tabi\u00ee. Yang\u0131ndan evvel Beyo\u011flu finans merkezlerinden birisiymi\u015f. Matbaa-i Osmaniye\u2019yi kuran Osman Bey de, Harbiye ile \u015ei\u015fli aras\u0131nda bir arazi sat\u0131n alarak konak yapt\u0131rm\u0131\u015f.<\/p>\n

Bu\u0308yu\u0308k Beyog\u0306lu yang\u0131n\u0131 11 Rebiy\u00fclevvel 1287 (5 Haziran 1870) Pazar g\u00fcn\u00fc \u00f6\u011flen Feridiye Soka\u011f\u0131\u2019nda Macar Ric\u0327ini\u2019nin kirac\u0131 olarak oturdu\u011fu evde ba\u015flam\u0131\u015f, ah\u015fap evler dolay\u0131s\u0131yla yang\u0131n de\u011fi\u015fik y\u00f6nlere yay\u0131larak t\u00fcm Pera\u2019y\u0131 kaplam\u0131\u015f.<\/p>\n

Beyog\u0306lu Belediyesi Alt\u0131nc\u0131 Daire\u2019nin raporuna g\u00f6re bu olayda 65 cadde ve 163 mahalledeki toplam 8.000 bina harabe olmu\u015f.<\/p>\n

Ey\u00fcpsultan<\/strong><\/p>\n

Ya mukaddes belde Ey\u00fcpsultan? Seneler \u00f6nce nereden i\u015fitti\u011fimi hat\u0131r\u0131ma getiremedi\u011fim bir h\u00e2dise anlatay\u0131m: Aksaray-Alibeyk\u00f6y minib\u00fcs hatt\u0131n\u0131n Aksaray dura\u011f\u0131nda muavin \u201cEy\u00fcp\u2019e gider, Ey\u00fcp\u2019e gider\u201d diye ba\u011f\u0131r\u0131yor. Malum oldu\u011fu \u00fczere Aksaray meyhanelerin bol oldu\u011fu bir semt… Meyhanelerin birinden \u00e7\u0131kan sarho\u015f bir adam, muavinin bu s\u00f6zlerini duyar ve sunturlu tokad\u0131 ba\u011f\u0131ran herifin ensesine yerle\u015ftirip, \u201cE\u015f\u015fo\u011flu Ey\u00fcp Sultan askerlik arkada\u015f\u0131n m\u0131? \u2018Ey\u00fcp, Ey\u00fcp\u2019 diye ba\u011f\u0131r\u0131yorsun. Ey\u00fcp Sultan diyeceksin!\u201d s\u00f6zleriyle ta\u015f\u0131 gedi\u011fine koymu\u015f oluyor. N\u00fcfus Hizmetleri Kanunu ile Baz\u0131 Kanunlarda De\u011fi\u015fiklik Yap\u0131lmas\u0131na Dair Kanun Tasar\u0131s\u0131 ile \u0130stanbul\u2019un \u201cEy\u00fcp\u201d il\u00e7esinin isminin Ey\u00fcpsultan olarak de\u011fi\u015ftirilmesine ili\u015fkin kanun teklifi (Ekim 2017) TBMM Genel Kurulu\u2019nda kabul edildi. \u015eamar\u0131 yiyen adam\u0131n bu i\u015fte bir parma\u011f\u0131 var m\u0131d\u0131r acaba? Eb\u00fb Eyy\u00fbb el-Ens\u00e2r\u00ee \u0130stanbul\u2019un manevi ilk fatihlerindendir, mertebesi ula\u015f\u0131lmaz, Sahabe-i Kiram\u2019dand\u0131r. Dolay\u0131s\u0131yla \u0130stanbul\u2019un atardamar\u0131, efendisi O\u2019dur. Bedir, Uhud, Hendek gaz\u00e2lar\u0131na i\u015ftirak eden b\u00fcy\u00fck sahab\u00ee cihat ve gaza a\u015fk\u0131yla doksan be\u015f ya\u015f\u0131nda t\u00e2 kalk\u0131p \u0130stanbul\u2019a gelmi\u015f!<\/p>\n

Laleli yahut Laleli Baba<\/strong><\/p>\n

On sekizinci y\u00fczy\u0131lda bug\u00fcnk\u00fc Laleli Camii\u2019nin tam kar\u015f\u0131s\u0131nda ayakkab\u0131 tamircisi bir adam, ahali taraf\u0131ndan pek sevilmezmi\u015f. III. Mustafa ve validesi Emine Mihri\u015fah Kad\u0131n bile bazen bu camiye gelip namaz\u0131n\u0131 k\u0131lar, ahaliyle muhabbet edermi\u015f. Bizim tamirci adam\u0131n yakas\u0131nda her zaman bir lale, camiye \u201cgitmiyor\u201d diye dedikodusunu yapan etraftakilerin itham\u0131na kar\u015f\u0131 daima g\u00fclery\u00fcz… Rivayete g\u00f6re cami, ismini bu \u015fah\u0131s, y\u00e2ni \u201cLaleli Baba\u201ddan alm\u0131\u015f. Bu z\u00e2t veliymi\u015f.\u00a0 Bir keresinde III. Mustafa\u2019yla z\u0131tla\u015fm\u0131\u015f bu zat, Sultan\u2019\u0131 pes ettirip, \u201cSaltanat\u2019\u0131n sahibi sensin\u201d dedirtmi\u015f, onun bile\u011fini b\u00fck\u00fcp hayat\u00ee bir ders vermi\u015f. Padi\u015fahla aralar\u0131nda s\u0131k\u0131 bir m\u00fcnasebet olu\u015fmu\u015f. Bu z\u00e2t\u0131n t\u00fcrbesi Fatih\u2019te bulunuyor.<\/p>\n

Hazret-i \u0130sa\u2019n\u0131n Be\u015fi\u011fi: Be\u015fikta\u015f<\/strong><\/p>\n

Rivayete g\u00f6re: Rahip Yu\u015fka taraf\u0131ndan bir kilise in\u015fa ettirilmi\u015f Hazret-i \u0130sa\u2019n\u0131n be\u015fi\u011fi de Kud\u00fcs\u2019ten bug\u00fcnk\u00fc Be\u015fikta\u015f\u2019a getirilip, bu me\u00e7hul kilisenin i\u00e7inde muhafaza edilmi\u015f. \u201cKone Petro\u201d, \u201cTa\u015f Be\u015fik\u201d demekmi\u015f. Rahip \u00f6ld\u00fckten sonra bu be\u015fik Ayasofya\u2019ya g\u00f6t\u00fcr\u00fclm\u00fc\u015f. Be\u015fikta\u015f isminin bundan dolay\u0131 kullan\u0131lageldi\u011fi s\u00f6yleniyor.<\/p>\n

S\u0131rada Pendik<\/strong><\/p>\n

Bizans d\u00f6neminde her taraf\u0131 surlarla \u00e7evrili m\u00e2n\u00e2s\u0131ndaki \u201cpantecion (pantiki)\u201d kelimesi, bug\u00fcnk\u00fc Pendik\u2019in eski ismi. \u0130stanbul\u2019u Do\u011fu\u2019dan gelebilecek muhtemel sald\u0131r\u0131lardan korumak i\u00e7in bir t\u00fcr savunma hatt\u0131.<\/p>\n

Mimar Sinan\u2019dan Sonra…<\/strong><\/p>\n

Mimar Sinan\u2019\u0131n deh\u00e2s\u0131 ve \u015f\u00f6hreti herkesin malumudur. Onun \u015fairane hayat\u0131, \u0130stanbul halk\u0131n\u0131 etkiledi\u011fi gibi memleketimizin d\u0131\u015f\u0131ndaki insanlar\u0131 da tesiri alt\u0131nda b\u0131rakm\u0131\u015ft\u0131r. Peki ya Mimar Sinan\u2019dan sonra onun ulv\u00ee g\u00f6revini \u00fcstlenen z\u00e2t? Onun kim oldu\u011fundan haberimiz var m\u0131? Ka\u00e7\u0131m\u0131z bunu biliyoruz? Tamam onlar gibi olam\u0131yoruz, bize b\u0131rakt\u0131klar\u0131na hayretler ediyor, vecdle bak\u0131yoruz. Filvaki g\u0131pta etti\u011fimiz ki\u015fi, her kim olursa olsun, onlar\u0131n mertebesine ula\u015fam\u0131yorsak g\u0131pta ile y\u00e2d etmemiz gerekir. Erdemli olmak bunu gerektirir. Mimar Davud A\u011fa, Sinan\u2019\u0131n talebesidir. T\u00fcrkiye Diyanet Vakf\u0131\u2019n\u0131n ansiklopedisinde Davud\u2019un nereli oldu\u011fu, hangi tarihte d\u00fcnyaya geldi\u011fi tam bilinmiyor. Davud A\u011fa\u2019n\u0131n Hasbah\u00e7e\u2019deki mimarl\u0131k mektebinden yeti\u015fti\u011fi zannediliyor.\u00a0 Koca Sinan\u2019\u0131n tezg\u00e2h\u0131ndan ge\u00e7mi\u015f. 1575\u2019lerden 1582\u2019ye kadar \u00e7e\u015fitli naz\u0131rl\u0131k g\u00f6revleriyle Osmanl\u0131\u2019ya hizmet etmi\u015f.<\/p>\n

TDV\u2019deki bahisten bir iktibas: Suyolu n\u00e2z\u0131r\u0131 oldu\u011fu y\u0131llarda D\u00e2vud A\u011fa\u2019n\u0131n Halkal\u0131 su yolu hakk\u0131nda zengin bilgiler ihtiva eden bir harita \u00e7izmi\u015f oldu\u011fu, 992 (1584) tarihli ve 0,25 \u00d7 3 m. \u00f6l\u00e7\u00fcs\u00fcndeki bu haritan\u0131n Hikmet Bey taraf\u0131ndan asl\u0131ndan yap\u0131lan bir kopyas\u0131n\u0131n \u0130stanbul Sa\u011fl\u0131k M\u00fczesi\u2019nde oldu\u011funu Saadi Nirven tesbit etmi\u015ftir. Ayn\u0131 haritan\u0131n di\u011fer n\u00fcshalar\u0131 Topkap\u0131 Saray\u0131 M\u00fczesi K\u00fct\u00fcphanesi\u2019nde (Hazine, nr. E. 12.481 [Nuri Arlasez ba\u011f\u0131\u015f\u0131], 0,32 \u00d7 2,11 m. \u00f6l\u00e7\u00fcs\u00fcnde) ve Millet K\u00fct\u00fcphanesi\u2019nde (nr. 930, 0,27 \u00d7 2,86 m. \u00f6l\u00e7\u00fcs\u00fcnde) bulunmaktad\u0131r. Haritalar\u0131n kenar\u0131nda \u015fu sat\u0131rlar okunmaktad\u0131r: \u201cMerhum ve ma\u011ff\u00fbr\u00fcn leh Sultan III. Murad s\u00e2b\u0131kan Suyolu n\u00e2z\u0131r\u0131 olan \u00fcstat D\u00e2vud\u2019a it\u00e2b-\u0131 az\u00eem edip, sen benim suyumu nereye verirsin dedikte ol dahi ale\u2019t-ta\u2018c\u00eel bu k\u00e2rn\u00e2me-yi ac\u00eebi peyd\u00e2 etmi\u015f. Hud\u00e2 te\u00e2l\u00e2 her ikisine dahi rahmet eyleye, \u00e2min, Zilkade 992.\u201d Sultan Murad ile D\u00e2vud A\u011fa bu \u00e7izimde rahmetle an\u0131ld\u0131klar\u0131na g\u00f6re, haritan\u0131n asl\u0131 992\u2019de (1584) \u00e7izilmekle beraber, III. Murad\u2019\u0131n 1595\u2019te, D\u00e2vud A\u011fa\u2019n\u0131n 1598\u2019de \u00f6ld\u00fc\u011f\u00fc dikkate al\u0131n\u0131rsa mevcut n\u00fcshalar\u0131n \u00f6l\u00fcmlerinden sonra meydana getirildi\u011fi anla\u015f\u0131l\u0131r.<\/em><\/p>\n

Davud A\u011fa 1952\u2019den itibaren belgelerde mimarba\u015f\u0131 olarak zikredilmi\u015ftir. 1582\u2019te Sar\u00e2y-\u0131 H\u00fcm\u00e2yun\u2019da bir oda ve bir de hamam yapm\u0131\u015f. III. Murad buray\u0131 be\u011fendi\u011fini s\u00f6ylemi\u015ftir. 1588\u2019de Hassa ba\u015fmimar\u0131 Koca Sinan vefat etti\u011finde yerine onun yard\u0131mc\u0131s\u0131 olan D\u00e2vud A\u011fa tayin edildi. A asofya haz\u00eeresindeki b\u00fcy\u00fck t\u00fcrbelerden ikincisi olan, Sultan III. Murad\u2019a ait t\u00fcrbenin mimar\u0131 olarak genellikle D\u00e2vud A\u011fa\u2019n\u0131n ismi zikredilmektedir. Fakat bu yap\u0131da bir kap\u0131 kanad\u0131 \u00fczerinde Dalg\u0131\u00e7 Ahmed A\u011fa\u2019n\u0131n ad\u0131na rastlanmas\u0131 \u015fa\u015f\u0131rt\u0131c\u0131d\u0131r. Baz\u0131lar\u0131, her iki mimar\u0131n da bu t\u00fcrbenin yap\u0131m\u0131nda hizmetleri olabilece\u011fine ihtimal verirler. \u00c7ar\u015f\u0131kap\u0131 semtinin Divanyolu Caddesi\u2019ndeki Koca Sinan Pa\u015fa K\u00fclliyesi de D\u00e2vud A\u011fa taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

D\u00e2vud A\u011fa\u2019n\u0131n yap\u0131m\u0131nda hizmeti olan \u00f6nemli bir eseri de Sultan III. Mehmed\u2019in annesi Safiye V\u00e2lide Sultan i\u00e7in yapt\u0131rmaya ba\u015flad\u0131\u011f\u0131, Emin\u00f6n\u00fc\u2019ndeK\u0130 Yeni V\u00e2lide veya k\u0131saca Yeni Cami ad\u0131yla tan\u0131nan cami ve k\u00fclliyesidir. Safiye V\u00e2lide Sultan, \u0130stanbul Liman\u0131 giri\u015finde bu caminin in\u015fas\u0131n\u0131 Hassa ba\u015fmimar\u0131 D\u00e2vud A\u011fa\u2019dan istedi ve temeli 10 Muharrem 1006\u2019da (23 A\u011fustos 1597) at\u0131ld\u0131.<\/p>\n

Bu vesileyle \u0130bda Mimar\u0131 Salih Mirzabeyo\u011flu\u2019nun hayat\u0131nda derin bir iz b\u0131rakm\u0131\u015f Cevad \u00dclger\u2019den de bahsedelim. Zira kendisi \u201c\u00c7a\u011fda\u015f Sinan\u201d olarak bilinir, bir musiki\u015finas, ressam ve mimard\u0131r. \u201cRitmin G\u00fcc\u00fc ve Ritme Davet\u201d diye ehemmiyetli bir kitab\u0131 vard\u0131r.<\/p>\n

Bo\u011fazi\u00e7i Efsaneleri<\/strong><\/p>\n

\u0130ki efsane: \u00c7at\u0131\u015fan kayal\u0131klar ile Argonodlar seferi. Bo\u011fazi\u00e7i\u2019nin tepe (Karadeniz) k\u0131s\u0131mlar\u0131nda iki kaya varm\u0131\u015f. Biri Avrupa di\u011feri Anadolu yakas\u0131nda. Bunlar bildi\u011fimiz m\u0131hl\u0131, heybetli kaya par\u00e7alar\u0131 de\u011fillermi\u015f. \u00d6fkelendiler mi, aradan ge\u00e7en gemilere sald\u0131r\u0131r, onlara musallat olurlarm\u0131\u015f. Tayfalar \u201caman birinden kurtulay\u0131m, \u015furadan yana\u015farak gideyim\u201d derken, \u00f6b\u00fcr\u00fcne yana\u015f\u0131r, sald\u0131r\u0131lar neticesinde denizin dibini boylarm\u0131\u015f. \u00d6rekta\u015f\u0131 ve Rumelifeneri taraflar\u0131ndaki \u00e7evre, son derece tehlikeliymi\u015f. Orada, gemicilere yol g\u00f6stermek i\u00e7in geceleri \u0131\u015f\u0131k yak\u0131l\u0131yormu\u015f. Karanl\u0131kta \u201cBo\u011faz\u2019a giriyoruz!\u201d sanan seyyahlar, civardaki koylara, belki de bug\u00fcnk\u00fc \u201cDa\u011flaralt\u0131 Liman\u0131\u201dna giriyorlarm\u0131\u015f. Burada (\u015fu an k\u00f6m\u00fcr liman\u0131, koyv\u00e2ri bir yer) ge\u00e7it bulamad\u0131klar\u0131 i\u00e7in kayal\u0131klara \u00e7arparm\u0131\u015f.<\/p>\n

Argonod meselesine gelirsek: Rivayete g\u00f6re, elli civar\u0131nda Grek, hangi tarihte oldu\u011funu bilmedi\u011fim bir zamanda \u201cKolsid\u201d \u00fclkesindeki alt\u0131n yapa\u011f\u0131 (koyun ve kuzudan k\u0131rk\u0131lan post) i\u00e7in Ege Denizi\u2019nden \u00c7anakkale\u2019ye, oradan da \u0130stanbul bo\u011fazlar\u0131n\u0131 ge\u00e7erek Karadeniz\u2019e gidip, \u201cKol\u015fid\u201de varm\u0131\u015flar. Bir kral\u0131n k\u0131z\u0131n\u0131n yard\u0131m\u0131yla \u201csihirli\u201d yapa\u011f\u0131y\u0131 bulup d\u00f6nm\u00fc\u015fler. Bir \u0130ngiliz muharririnin fikrine g\u00f6re, bu yapa\u011f\u0131 Ankara\u2019n\u0131n tiftik ke\u00e7isiymi\u015f. Argonodlar geldikleri y\u00f6ne giderken, Rumelifeneri\u2019nin orada Kral Phinee bu gemicilere yol g\u00f6sterip, ikramlarda bulunmu\u015f. Argonodlar da buna binaen \u201cHarpi\u201d denilen insan s\u00fbretli kanatl\u0131 ejderlere kar\u015f\u0131 Bo\u011fazi\u00e7i\u2019ni savunmu\u015flar. Efsaneye g\u00f6re, Argonodlar alt\u0131n yapa\u011f\u0131 ve sihirbaz bir kad\u0131nla (Medee) Tarabya \u00f6n\u00fcnde demir atm\u0131\u015flar. Rivayete g\u00f6re buran\u0131n ad\u0131 \u201cPharmakin\u201dmi\u015f. Sihirbaz Medee yolculukta kulland\u0131\u011f\u0131 \u015fifa ve b\u00fcy\u00fc \u00e7antas\u0131n\u0131 burada unutmu\u015f. Ve yine efsaneye g\u00f6re bug\u00fcnk\u00fc Tarabya\u2019da arsa satmak isteyen simsar\u0131n biri, \u201c\u015fifa yeri\u201d m\u00e2n\u00e2s\u0131na gelen Therapia ismini kullanm\u0131\u015f.<\/p>\n

Bo\u011fazi\u00e7i, Antik \u00c7a\u011f\u2019daki ad\u0131yla \u201cBosphorus.\u201d Bu sefer efsanenin ba\u015frolleri Zeus ve \u201cg\u00fczeller g\u00fczeli\u201d Io. Zeus, kad\u0131nlara d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcyle me\u015fhur. Olimpos\u2019un en kuvvetli \u201ctanr\u0131\u201ds\u0131 Io\u2019ya a\u015f\u0131k. Zeus, Io\u2019nun, Hera da Zeus\u2019un pe\u015finde. M\u00e2lum, Hera, Zeus\u2019un kar\u0131s\u0131, k\u0131skan\u00e7 ve merhametsiz. Zeus tam Io\u2019yu ayartacakken kar\u0131s\u0131n\u0131n gazab\u0131ndan korkusuna zavall\u0131 g\u00fczeli ine\u011fe \u00e7eviriyor. Hera bu koskoca tanr\u0131, yer mi? Zeus\u2019tan ine\u011fi isteyince veriyor Io\u2019yu inek h\u00e2lindeyken. Hera da al\u0131yor bu ine\u011fi Argus adl\u0131 \u00e7oban\u0131 ba\u015f\u0131na bek\u00e7i olarak at\u0131yor. Argus, hi\u00e7 uyumaz bir mahluk, her yerinde de g\u00f6zleri var. Zeus her ne kadar ine\u011fi kendi elleriyle verse de Io\u2019nun \u00e7ekti\u011fi s\u0131k\u0131nt\u0131lara dayanamaz. O\u011flu ve habercisi olan Hermes\u2019i yan\u0131na \u00e7a\u011f\u0131r\u0131r ve Io\u2019yu kurtarmas\u0131n\u0131 buyurur. \u00c7oban k\u0131l\u0131\u011f\u0131na giren Hermes, Argus\u2019un yan\u0131na yakla\u015f\u0131p ha\u015fha\u015ftan \u00e7i\u00e7ekleri kaval\u0131na koyar ve Argus\u2019un kar\u015f\u0131s\u0131nda kaval\u0131 \u00e7almaya ba\u015flar. \u00c7oban\u0131n kafa \u00f6nce leyla, sonra \u015f\u0131p uykuya. O s\u0131ra inek halindeki Io ka\u00e7ar. Hera, Zeus\u2019un bir \u015feyler kar\u0131\u015ft\u0131rd\u0131\u011f\u0131n\u0131 hissedince bir at sine\u011fi salar inek kad\u0131n\u0131n pe\u015fine. Kad\u0131n inek haliyle bo\u011faz\u0131 ba\u015ftan sona ko\u015farak ge\u00e7er, M\u0131s\u0131r\u2019a kadar tabana kuvvet. Nil Nehri k\u0131y\u0131lar\u0131na gelen korkak Zeus, sine\u011fi yok edip Io\u2019yu eski h\u00e2line \u00e7evirir. Io\u2019nun Zeus\u2019tan Keroessa diye bir k\u0131z \u00e7ocu\u011fu olur. Keroessa ise \u0130stanbul \u015fehrinin kurucusu olan Megaral\u0131 Kral Byzas\u2019\u0131n annesidir. Byzas, \u015fehri kurdu\u011fu zaman Hali\u00e7\u2019e \u201calt\u0131n boynuz\u201d anlam\u0131na gelen annesinin ad\u0131n\u0131 verir. Bosphorus\u00a0 yani Bo\u011fazi\u00e7i de \u201cy\u00fczen inek\u201d m\u00e2n\u00e2s\u0131na gelir.<\/p>\n

H\u00fcl\u00e2sa, \u015fehr-i \u015feh\u00eerin tozunu topra\u011f\u0131n\u0131 bo\u015funa yutmam\u0131\u015f olmak, \u015fehre yak\u0131\u015f\u0131r \u015fekilde bir hayat sahnelemek l\u00e2z\u0131m. \u0130lim, sanat ve adaletin t\u00e2c\u0131 bu \u015fehirde, ya\u015fad\u0131\u011f\u0131m\u0131z yerin hakk\u0131n\u0131 vererek hayat s\u00fcrmekle mesul\u00fcz.<\/p>\n

Ayl\u0131k Dergisi 191 Say\u0131, A\u011fustos 2020<\/p>\n","protected":false},"excerpt":{"rendered":"

\u015eehr-i \u015eeh\u00eer Koca \u0130stanbul, \u00e7evre kentleri buraya g\u0131ptayla bakar, hatta k\u0131skan\u00e7l\u0131k bile ederler. \u00dcstad Necip Faz\u0131l\u2019\u0131n ifadesiyle, \u201cay ve g\u00fcne\u015f ezelden iki \u0130stanbulludur.\u201d \u0130zbe \u00e7\u0131kmaz sokaklar\u0131ndan tutun da, en ferah…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"ppma_author":[14,18],"class_list":["post-1016","post","type-post","status-publish","format-standard","hentry","category-yazarlar","author-admin","author-oguz-can-sahin","no-post-thumbnail"],"yoast_head":"\n\u0130stanbul - Ayl\u0131k Dergisi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aylikdergisi.com\/index.php\/2020\/08\/01\/istanbul\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0130stanbul - 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